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Art Industry News: Gavin Brown Opens Up About the Business Failures and Regrets Behind His Gallery s Closure + Other Stories

Gavin Brown visiting Frieze on Randalls Island. © Patrick McMullan. Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Here’s what you need to know on this Friday, December 18. NEED-TO-READ A Disputed Pissarro Goes to Mediation – A long-running battle over the fate of a small Pissarro painting, Shepherdess Bringing in Sheep (1886), which was looted from Léone Meyer’s family during World War II, has reignited on opposite sides of the Atlantic. Most recently, a French judge ordered Meyer to meet with mediators to sort out the fate of the painting, which she previously pledged to share between a French museum and the Fred Jones Jr. Museum of Art at the University of Oklahoma. She claims she misunderstood the original deal and wants the painting back in France for good. (

Column: Here s what Sen Mike Lee got wrong about a Smithsonian Latino museum

Column: Here s what Sen. Mike Lee got wrong about a Smithsonian Latino museum Carolina A. Miranda © Provided by The LA Times Sen. Mike Lee of Utah, seen here in September, blocked legislation to explore the creation of a Smithsonian museum devoted to Latinos. (Ken Cedeno / Pool/AFP via Getty Images) Last week, a Newsweek reporterfiled a dispatch on a Senate bill that would lead to the creation of the Smithsonian National Museum of the American Latino in Washington, D.C. At the time, the vote seemed almost pro forma. A similar bill had sailed through the House in July, and many expected the Senate bill to pass by unanimous consent (Senate parlance for a voice vote). The bill would then move to the White House. And that, reported Newsweek, would leave President Donald Trump to get it across the finish line before his term ends. No small irony given Trump s often disparaging remarks toward Mexicans, and the fact that his most significant nod to Latino culture

What Sen Mike Lee got wrong about a Latino museum

Print Last week, a Newsweek reporter filed a dispatch on a Senate bill that would lead to the creation of the Smithsonian National Museum of the American Latino in Washington, D.C. At the time, the vote seemed almost pro forma. A similar bill had sailed through the House in July, and many expected the Senate bill to pass by unanimous consent (Senate parlance for a voice vote). The bill would then move to the White House. And that, reported Newsweek, “would leave President Donald Trump to get it across the finish line before his term ends.” No small irony given Trump’s often disparaging remarks toward Mexicans, and the fact that his most significant nod to Latino culture in recent years was having himself photographed with a taco bowl.

Op-Ed: What Americans don t know about Latino history could fill a museum

Print On Thursday, Sen. Mike Lee (R-Utah) blocked a bipartisan congressional effort to establish a new Smithsonian National Museum of the American Latino, declaring that “the last thing we need is to further divide an already divided nation with an array of segregated, separate-but-equal museums for hyphenated identity groups.” Warning of the dangers of a new Latino history museum, he accused its supporters of ascribing to a “so-called critical theory” that “weaponizes diversity,” that “sharpens all those hyphens into so many knives and daggers,” and turns “college campuses into grievance pageants and loose Orwellian mobs.” Lee’s exaggerations sidestepped every available fact about Latinos in the United States. They caricatured the views of the museum’s supporters, including historians, museum professionals, community leaders and business executives. He was the only senator to oppose a bill embraced by a majority in the House and Senate (including most of t

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