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Darin Mickey, a photographer and chair of the creative practices program of the International Center of Photography, browses the Accidents folder of the New York Public Librarys Picture Collection, in the Stephen A. Schwarzman Building in New York, July 30, 2021. Founded in 1915, the collection lends images to library users who are seeking visual information of a mind-boggling range. Gus Powell/The New York Times.
by Arthur Lubow
(NYT NEWS SERVICE)
.- Artist Joseph Cornell once requested a picture of a street urchin with a white cockatoo. Andy Warhol borrowed hundreds of images for inspiration and never returned them. For more than a century, the Picture Collection of the New York Public Library has flourished, gloriously but precariously, as a shape-shifting misfit within a Dewey Decimal grid. Founded in 1915, the collection lends images to library users who are seeking visual information of a mind-boggling range: Praying, Fairies
Thaddaeus Ropac Salzburg exhibits a group of works from 1977-1991
Donald Judd, Untitled, 1990, Cadmium red light acrylic on Douglas fir plywood and aluminum. Donald Judd Art © 2021 Judd Foundation / Bildrecht, Wien 2021. Image courtesy Judd Foundation.
SALZBURG
.- Donald Judd at Thaddaeus Ropac Salzburg presents a group of works from 19771991, a period in which the artists work was defined by the principles that had formed his artistic vision. The exhibition provides insight into the diversity of Donald Judds formal and material repertoire, highlighting his distinctive visual vocabulary and deliberate use of mathematical proportions. Spanning works in plywood, painted wood, plexiglass and aluminum media through which he interrogated the relationship between form and color the exhibition features work that has never previously been exhibited, alongside seminal floor works which remain at the core of Judds practice. The earliest example of this type of incised cadmiu
Blum & Poe exhibits a suite of twenty abstract paintings by artist Kenjirō Okazaki
Kenjiro Okazaki, Corn and Summer Wheat/急き立てられた土地所有, 2020. Acrylic on canvas. 6 1/4 x 8 x 1 1/2 inches framed © Kenjiro Okazaki, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo.
LOS ANGELES, CA
.-Blum & Poe is presenting Tokyo-based artist Kenjirō Okazakis TOPICA PICTUS / La Cienega, a suite of twenty abstract paintings, each paired with a short essay and reference image(s), which function as key components to provide multi-layered experiences to audiences. This is Okazakis fourth presentation with the gallery and follows the recent announcement of his representation.
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