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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   Darin Mickey, a photographer and chair of the creative practices program of the International Center of Photography, browses the “Accidents” folder of the New York Public Library’s Picture Collection, in the Stephen A. Schwarzman Building in New York, July 30, 2021. Founded in 1915, the collection lends images to library users who are seeking visual information of a mind-boggling range. Gus Powell/The New York Times. by Arthur Lubow (NYT NEWS SERVICE) .- Artist Joseph Cornell once requested a picture of a street urchin with a white cockatoo. Andy Warhol borrowed hundreds of images for inspiration — and never returned them. For more than a century, the Picture Collection of the New York Public Library has flourished, gloriously but precariously, as a shape-shifting misfit within a Dewey Decimal grid. Founded in 1915, the collection lends images to library users who are seeking visual information of a mind-boggling range: Praying, Fairies

Thaddaeus Ropac Salzburg exhibits a group of works from 1977-1991

Thaddaeus Ropac Salzburg exhibits a group of works from 1977-1991 Donald Judd, Untitled, 1990, Cadmium red light acrylic on Douglas fir plywood and aluminum. Donald Judd Art © 2021 Judd Foundation / Bildrecht, Wien 2021. Image courtesy Judd Foundation. SALZBURG .- Donald Judd at Thaddaeus Ropac Salzburg presents a group of works from 1977—1991, a period in which the artist’s work was defined by the principles that had formed his artistic vision. The exhibition provides insight into the diversity of Donald Judd’s formal and material repertoire, highlighting his distinctive visual vocabulary and deliberate use of mathematical proportions. Spanning works in plywood, painted wood, plexiglass and aluminum – media through which he interrogated the relationship between form and color – the exhibition features work that has never previously been exhibited, alongside seminal floor works which remain at the core of Judd’s practice. The earliest example of this type of incised cadmiu

Blum & Poe exhibits a suite of twenty abstract paintings by artist Kenjirō Okazaki

Blum & Poe exhibits a suite of twenty abstract paintings by artist Kenjirō Okazaki Kenjiro Okazaki, Corn and Summer Wheat/急き立てられた土地所有, 2020. Acrylic on canvas. 6 1/4 x 8 x 1 1/2 inches framed © Kenjiro Okazaki, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo. LOS ANGELES, CA .-Blum & Poe is presenting Tokyo-based artist Kenjirō Okazaki’s TOPICA PICTUS / La Cienega, a suite of twenty abstract paintings, each paired with a short essay and reference image(s), which function as key components to provide multi-layered experiences to audiences. This is Okazaki’s fourth presentation with the gallery and follows the recent announcement of his representation.

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