American Repertory Theater at Harvard University has announced today details about the next events in the theater s new Behind the Scenes series with the writers, directors, and composers who are making work at the A.R.T. The multimedia events will feature songs and scenes from the shows in development; conversation about process, research, and collaboration; and interactive Q&As with the audience.
Series packages $100 with tiered pricing options
Single tickets for $20 with a pay-what-you-can option
Following the events, ten raffle-winning ticket holders, the series sponsors, and all A.R.T. donors of $500 or more will be eligible to continue the conversation backstage in the Virtual Green Room with the artists and A.R.T. staff.
The clients Maria Dennis works with aspire to the things that all loving, devoted parents want for their children: good health, a safe home, success in school and success in life. âThey want the best for their children like everyone does,â Dennis said.
But as the family program coordinator for the Family Partnership of Frederick County, a division of the countyâs Citizen Services division, Dennis recognizes the multitude of obstacles her clients must overcome in order to provide their children with these opportunities.
Some are single parents; others have limited English language skills or education. Many report income that is above the federal poverty level but below the basic cost of living in Frederick County. Financial stresses, and in some cases, traumas from their own childhoods, can affect their ability to parent effectively.
Dec 16, 2020 5:05 PM EDT
When bad things happen to children, we might share the comforting words “it’ll be all right” kids bounce back. But, for many, those reserves of resilience are flagging under the weight of the COVID-19 pandemic.
Special education teacher Alexis Camacho said that she and her 12-year-old twin daughters were living a happy life in San Diego before the virus. Like many pre-teens, her sixth-grade girls revolved around their friends, though one daughter is more introverted than the other. They were excited about entering middle school and could not wait for what life had to offer, making plans for things like spring break and summer camp.
This is a young man’s book, written by somebody aged 73 and here reviewed by someone 13 years older. If you have ever wondered, as I have, about the age of the art historian you are reading, you can Google the scholar and roughly deduce it from the year of their PhD. Or, more interestingly, you can infer it from the education they received. The point is not his or her absolute age, but rather the scholar’s degree of seniority in relation to the training he or she underwent, and ability to keep themselves out of the argument – an injunction I have already twice ignored.