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Through conversations with her family and her parents’ friends and fellow actors, she learns how they met, how different they really were and how she came so close to not existing at all (pregnant at age 42, Dianne was worried about complications and was on her way to the abortion clinic when she changed her mind), as well as one revelation that will truly change her life. While this makes it sound like a big-screen version of an episode of the BBC series Who Do You Think You Are, Stories We Tell has an intimacy and endearingly shoddy production values the Beeb would never allow. Sound booms are deliberately left in shot, Polley records conversations on an 8mm camera before and in-between the more formal set-ups and she and her brothers and sisters regularly take the mickey out of one another (apparently the young Sarah thought her mother was Lucielle Ball), leavening what could have been a maudlin, navel-gazing project.

Sarah polleyStories we tellAway from herTake this waltzMad about youWho do you think areLucielle ballசாரா பொல்லேய்கதைகள் நாங்கள் சொல்லுங்கள்தொலைவில் இருந்து அவள்எடுத்துக்கொள்ளுங்கள் இது வால்ட்ஸ்ஹூ செய் நீங்கள் சிந்தியுங்கள் உள்ளன