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NH History Harriet Ryan Albee: Channing Home, women dying of consumption
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Conversations with Dante in our time
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Oak Ridge student impresses local, state Poetry Out Loud judges
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Samuel Coleridge-Taylor, ca. 1905, photographer unknown (Public domain)
The name Samuel Coleridge-Taylor (1875-1912) often appears on lists of African-descended composers, but in truth I don’t know that I’d ever heard any of his compositions, certainly not in live performance. Have you, Reader?
A new CD has just appeared from Azica Records called
UNCOVERED Volume 1 that is entirely dedicated to his music, and at 79 minutes’ duration, it’s a generous sampling. It contains three early works for string quartet,
Fantasiestücke (Fantasy Pieces) op. 5 from 1895, and two quintets: one in G minor with the quartet and piano, op. 1 from 1893, and the other in F sharp minor with clarinet, op. 10 from 1906.
Liberty or Equality: You Cannot Have Both
Occasionally I will write and publish longer, more detailed articles and essays for
The New English Review. These essays are normally about classical music, philosophy, even a short story and a poem or two. They are not keyed necessarily or directly to specific current events. They usually differ from the shorter pieces of political and social commentary that a reader will find here at
My Corner by Boyd Cathey.
Last night I went back and reread one of those longer essays. And I thought given the Harris/Biden administration’s insane emphasis on what they call “equity,” and the dogmatic imposition of “equality” (which is whatever the progressivist Left currently defines it as) that I might dust it off and offer it here. I think it gets into and explores the rickety structure, the utter egalitarian fakery that is being imposed on us and on our society, and, in fact, the slogan behind which all sorts of unnatural and devastating