Seven Veils, Berlin Film Festival, review: Amanda Seyfried is the only good thing
Seyfried stars as a struggling director remounting an opera in a film that is an egghead exercise – both scrambled and undercooked
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Seyfried stars as a struggling director remounting an opera in a film that is an egghead exercise – both scrambled and undercooked
TIFF: The filmmaker reunites with his “Chloe” star for an opaque drama about the slippage between art and life.
Toronto 2023: Amanda Seyfried makes the film's opaque story more accessible
Egoyan completes a most unusual double-headed project by simultaneously remounting the stage production of an opera he directed in 1996 and shooting a fictional film about a stage director doing the same
Seven Veils emerges as a film about appropriation – not cultural but personal, the morally dubious territory in which the artist takes your trauma and spins it into gold