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Sommer-Berlinale 2021: Iranisches Kino zwischen Todesstrafe und Zensur - Kultur

Sommer-Berlinale 2021: Iranisches Kino zwischen Todesstrafe und Zensur - Kultur
tagesspiegel.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tagesspiegel.de Daily Mail and Mail on Sunday newspapers.

Teheran , Iran-general , Iran , Berlin , Germany , Iranians , Behtash-sanaeeha , Ehsan-mirhosseini , Maryam-moghadam , Moghadam-sanaeeha , Bardia-yadegari ,

The Berlinale adds two more winners to its list with Alice Diop's We and Dasha Nekrasova's The Scary of Sixty-First


Camille Laemlé and
Serge Lalou, showing the Israeli occupation of the Palestinian territories in the West Bank and the Gaza Strip through statements from Israeli soldiers. “Cinema can be looked at, but perhaps the most moving cinema is the one that looks at us and, with that look, transfers our very existence to another dimension,” argued the jurors. “With very few visual and auditory resources, a handful of archive images and a profound insistence to tell, with more faith in art than in humanity, this film forces us to look and reflect on land, humans, politics and conscience, and challenges our comfortable understanding.”

United-states , Israel , France , West-bank , Gaza-strip , French , Israeli , Palestinian , Ehsan-mirhosseini , Avi-mograbi , Dasha-nekrasova , Azu-nwagbogu

Berlin: Dasha Nekrasova' The Scary of Sixty-First' Wins Best First Feature Award

Berlin: Dasha Nekrasova' The Scary of Sixty-First' Wins Best First Feature Award
msn.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from msn.com Daily Mail and Mail on Sunday newspapers.

Germany , New-york , United-states , Paris , France-general , France , Israel , Iran , Berlin , French , Iranian , Israeli

The Berlinale adds two more winners to its list with Alice Diop's We and Dasha Nekrasova's The Scary of Sixty-First


Camille Laemlé and
Serge Lalou, showing the Israeli occupation of the Palestinian territories in the West Bank and the Gaza Strip through statements from Israeli soldiers. “Cinema can be looked at, but perhaps the most moving cinema is the one that looks at us and, with that look, transfers our very existence to another dimension,” argued the jurors. “With very few visual and auditory resources, a handful of archive images and a profound insistence to tell, with more faith in art than in humanity, this film forces us to look and reflect on land, humans, politics and conscience, and challenges our comfortable understanding.”

United-states , Israel , France , West-bank , Gaza-strip , French , Israeli , Palestinian , Ehsan-mirhosseini , Avi-mograbi , Dasha-nekrasova , Azu-nwagbogu

How Arab films triumphed at the first online Berlinale


How Arab films triumphed at the first online Berlinale
Covid-19 may have forced this major festival to go virtual but this year’s Berlinale was its best, showcasing the largest collection from the Middle East in its history
Bear trophies on display for the 2021 Berlinale (AFP)
By
Published date: 16 March 2021 12:29 UTC
|
Last update: 2 weeks 1 day ago
Regulars at the Berlin Film Festival (Berlinale) in recent years are used to a number of sights and sensations: the sinister cold shrouding the ultra-touristic Potsdamer Platz where the fest is held; an eclectic ensemble of journalists and critics pressed against one another waiting for shots of coffee; food trucks hawking expensive snacks for guileless guests and the incessant search for comfortable seating in bustling cinemas. That’s all in addition to the affable atmosphere of Berlin itself - the new European capital of art.

Spain , United-states , Alexandria , Al-iskandariyah , Egypt , West-bank , Iran , Lebanon , California , Zagazig , Ash-sharqiyah , Nile-delta

When a pandemic gatecrashed the Berlin film festival


When a pandemic gatecrashed the Berlin film festival
Issued on:
4 min
Berlin (AFP)
Coronavirus pushed this week's Berlin film festival entirely online, as the industry grapples with new realities and directors harness the drama of the the pandemic.
After Cannes was cancelled last year and this winter's Sundance went all virtual, the Berlinale has staged an event unlike any other in its 71-year history.
Organisers pushed the event back by a month as the second wave of the virus rages in Germany, cut its length in half to five days and chopped it into two parts.
They hope to welcome stars to the red carpet and audiences back into movie theatres -- or at least open-air cinemas -- at a June edition which will feature the current edition's biggest hits.

Germany , Montreal , Quebec , Canada , France , Iran , Berlin , Romania , Tehran , Iranian , Radu-jude , Mohammad-rasoulof

Review: District Terminal


film profile], an Iranian-German entry in the Berlinale’s Encounters competition, this reviewer immediately wondered whether the reception would be any different in a coronavirus-free era. The story, set in the not-so-distant future, revolves around unsuccessful poet Peyman (
Bardia Yadegari). He shares a small flat with his elderly mother, walks or runs around an empty neighbourhood, hears mostly bad news from the outside world, meets the same group of people all the time and is wallowing in frustration – sounds familiar, doesn’t it? Yet it’s difficult to connect with the doomed protagonist – it’s as if the sheer number of calamities have cancelled each other out.

Germany , United-states , Iran , Iranian , German , Ehsan-mirhosseini , Peyman-bardia-yadegari , Bardia-yadegari , Ali-hemmati , District-terminal , Narcotics-anonymous , ஜெர்மனி

EXCLUSIVE: Trailer for Berlinale Encounters title District Terminal


District Terminal
02/03/2021 - The feature by Iranian directors Bardia Yadegari and Ehsan Mirhosseini is world-premiering in the Encounters section of the 71st Berlinale
District Terminal by Bardia Yadegari and Ehsan Mirhosseini
Tehran in the near future. Pollution and a lethal virus have reduced the city to a dump and forced the population to emigrate or live in quarantine. Peyman is a poet and a junkie who lives with his mother in a neighbourhood that has been placed under round-the-clock surveillance by quarantine officers. Struggling to survive, Peyman divides his days between spending time with his no-less-bewildered teenage daughter, a woman living in the USA whom he has married in order to emigrate, conversations with his two closest friends Ramin and Mozhgan, and an illicit affair with a girl with whom he is hopelessly in love. Rumours of an imminent war are growing and one by one Peyman’s friends are departing, leaving him alone and tormented by ghosts. In which world does Peyman live, the real or the fictional? In which of the two will he find redemption?

United-states , Iran , France , Tehran , Mozhgan , Markazi , French , Iranian , Ehsan-mirhosseini , Bardia-yadegari , Berlinale-encounters , District-terminal

EXCLUSIVE: Trailer for Berlinale Encounters title District Terminal

EXCLUSIVE: Trailer for Berlinale Encounters title District Terminal
cineuropa.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cineuropa.org Daily Mail and Mail on Sunday newspapers.

United-states , Iran , France , Tehran , Mozhgan , Markazi , French , Iranian , Ehsan-mirhosseini , Bardia-yadegari , Berlinale-encounters , District-terminal

Berlin Film Festival Unveils Panorama, Encounters Titles

The 71st Berlin International Film Festival has announced the films screening in its main Panorama sidebar.

Germany , United-states , Canada , United-kingdom , Iran , France , Berlin , French , American , Iranian , British , German