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Hey presto: F for Fake and the invention of the essay film

The 1970s have been seen as a period of frustration for Orson Welles, as he struggled – and failed – to complete self-financed feature films. But the same period saw his brilliant F for Fake, said this September 2012 feature.

Rome , Lazio , Italy , Ireland , France , United-states , Paris , France-general- , Shanghai , China , New-york , Madrid

Out of Frame

Frame rate: a long-awaited translation of the late French critic’s writings reveals a fascination with what’s included in the frame and what’s left out, and the moral and political stakes of that choice

New-york , United-states , Paris , France-general- , France , Rio-bravo , California , Hanoi , Han-i , Vietnam , Republic-of , Hollywood

A Visionary French Film Critic Finally Arrives in English

As a co-editor of Cahiers du Cinéma, Serge Daney reconsidered his passion for movies in the light of post-1968 politics and media.

New-york , United-states , Hollywood , California , Hong-kong , France , Tunis , S26- , Tunisia , New-delhi , Delhi , India

The Quest to Find The Lost Print of The Magnificent Ambersons

Orson Welles‘ lost director’s cut of
The Magnificent Ambersons since he was in college in the 1990s, but now he has
Turner Classic Movies and a team of passionate producers to help him find what they call “the holy grail of cinema.” In 2022, you will get to see their cinematic expedition to Brazil’s film archives as depicted in
Best known for his directorial debut,
Citizen Kane, Welles signed on to direct his follow-up to that masterpiece with the promise from RKO studios that he would have final cut on
The Magnificent Ambersons. But then the film, a dark and thoughtful adaptation of Booth Tarkington’s hit novel about a wealthy Gilded Age family getting their “comeuppance,” performed poorly during test screenings. As Welles was already off to Brazil shooting his next project (the never-finished

Hollywood , California , United-states , Indiana , Japan , France , Brazil , Japanese , Brazilian , George-minafer , Robert-wise , Joseph-mcbride

Singular Realities

The Leather Boys (1964)
Cannes won’t announce the lineup for its 2021 edition until May 27, but the annual round of speculation has already begun.
Little White Lies’ Charles Bramesco offer overviews of the likeliest contenders, while the team at
Screen goes all in with a comprehensive region-by-region guide to well over a hundred projects either on the verge of completion or standing by and waiting for a call. Even if less than half of them actually end up heading to France,
Screen’s list is an encouraging snapshot of an industry on the rebound. And maybe, just maybe, we can look forward to seeing new work soon from Apichatpong Weerasethakul, Claire Denis, Joanna Hogg, Jane Campion, Todd Haynes, Mia Hansen-Løve, Ruben Östlund, Julia Ducournau, Bruno Dumont, Ana Lily Amirpour, Ildikó Enyedi, and quite likely, Wes Anderson and Paul Verhoeven, and most definitely Leos Carax.

China , United-states , United-kingdom , Paris , France-general , France , London , City-of , American , British , Wes-anderson , Sarah-maldoror

February Books

Le notti bianche (1957)
We began this short week with a look at the enthusiastic response to Mark Harris’s
Mike Nichols: A Life, and opening this month’s round on new and noteworthy books, we turn to a few more biographies. For a
New York Times profile of literary biographer Hermione Lee, widely admired for her books on Virginia Woolf, Edith Wharton, and Penelope Fitzgerald, Charles McGrath spoke recently with novelist Julian Barnes who recalled the day that playwright and screenwriter Tom Stoppard approached Lee and asked her if she might consider making him her next subject. When she asked why he’d set his sights on her, he replied, “Because I want it to be read.” When

New-york , United-states , Japan , Paris , France-general , France , United-kingdom , Brazil , Bombay , Maharashtra , India , London