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Minutes ago. i'm expecting hard and heavy tidings over this. that suv came down -- >> we have the video. you want to -- we'll watch it and then reflect on what you were going to comment on. let's watch this, jim. ♪♪ all right. that was very fast and the fact there are a couple different camera angles of the vehicle going by and looking at it it looks like a ford explorer from my eyeballs. what are you seelging? >> yeah. i see the same. small red suv. i couldn't tell if it's a ford but going a good clip. see opposed to the band there. and the other angle i saw it plowed right in and over th...

Be near a movie set and who brought those live rounds onto the set. investigators have a lot more questions for you and the attorneys now representing the armorer and alec baldwin. it was a weird interview, bill. >> bill: we watched it in new york. thank you for that. a lot of questions. >> sandra: i reached out to someone in hollywood through a friend who serve in director-type roles. all of that is important and the interview was fascinating. she couldn't answer that basic question did the director hand the gun to alec baldwin. but my question all along with camera angles and make people loo...

With cameras, why have guns and ammunition on a movie set anyway? police officers mistake people with fake guns, so fake guns are clearly made well enough. >> sandra: i just question why they can't do hollywood magic with camera angles to the point where he hasn't put in a position of firing a gun pointed at a camera with a person behind it. >> harold: that's what i'm saying, there are a lot of ways. this is such a tragic story in my prayers go out and heart goes out to both families and obviously the baldwin's. >> sandra: there were rules that were broken. >> greg: there's an interesting bunc...

Come to rehearsing a scene the director wants, the armorer should be familiar with the script, this is what the director wants, what the actor wants, and you go through those rehearsals with a dry, a clear firearm. you show anybody who's interested, the firearms are clear. then you go through your rehe rehearsals. and the second big point after live ammunition on a set is there's never, ever a need to point a firearm at anybody on location. it's always cheated with the camera angles. so when the actor squeezed the trigger, there's absolutely nobody in front. obviously, this is not the case her...

Those guns actually aren't pointed, they cheat the camera angles on those, and it looks like it, but they fudge on those so you are not pointing at them. we don't allow actual firearms to be pointed onset without any excuses, no apology. prop guns, yeah, you can do that, but not actual firearms, even using blanks. you have worked on numerous productions in your career, have you ever been in a situation where there has been an accident akin to this one, or a situation where you could foresee an accident happening, have you ever been in a situation like this at all? absolutely not. the closest w...