Page 47 - Camera Angles News Today : Breaking News, Live Updates & Top Stories | Vimarsana

Complicated elements actually, a very painful thing to set up. >> i think my favorite elements in the machine is the little mario on the screen that jumps across. >> it doesn't like mario. >> they have hundreds of synchronized moving parts and every one has to work from beginning to end in sequence, without stopping. >> we decided not to edit the video and try to get it in one take, because i think as a viewer you would want to see it in one take, and not have transitions to different camera angles. so you definitely have to learn the timing and learn what's going to happen and i had to choreo...

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>> hey, just stop snapping. grandma, yeah, it's me. >> ten and two, ten and two with the hands. >> can you hold that for me? >> uh-huh. >> john, john, john. >> he's clapping, i don't know. >> thank you, thank you. >> oh, my god. >> just hang up the [ bleep ] phone. >> seeing the genuine reaction of the instructors that struck a chord with everybody. you're watching this going, i can't believe this kid had the -- to do this. i can't believe he pulled it off and i can't believe these people didn't just slap him silly. >> but the ever cynical online viewing audience had its doubts. >> ten and two...

>> it doesn't like mario. >> they have hundreds of synchronized moving parts and every one has to work from beginning to end in sequence, without stopping. >> we decided not to edit the video and try to get it in one take, because i think as a viewer you would want to see it in one take, and not have transitions to different camera angles. so you definitely have to learn the timing and learn what's going to happen and i had to choreograph the movements with the camera so i had to learn dance moves, in and out and twisting and turning. >> it's an amazing amount of work. >> every time i would do...

Synchronized moving parts and every one has to work from beginning to end in sequence, without stopping. >> we decided not to edit the video and try to get it in one take, because i think as a viewer you would want to see it in one take, and not have transitions to different camera angles. so you definitely have to learn the timing and learn what's going to happen and i had to choreograph the movements with the camera so i had to learn dance moves, in and out and twisting and turning. >> it's an amazing amount of work. >> every time i would do a take, take 93, this is the one. and i was on the...