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Secondly it's really fast. it's also motion controlled which means you can repeat the same suit before same precise move over and overfour suit before same precise move over and over four different takes and finally you can design of the move of the camera in your 3d visualisation software and import it straight into this and it will for you. and it says when the red light comes on, get out of the way. beep. slow mo set up a probe for —— migratory set up the robot. the software can even be made to trigger physical devices at different times which means things can be dropped part way throug...

Movie—makers — firstly because you can mount any camera that you like onto the end of it, secondly because it's really fast. it's also motion—controlled, which means that you can repeat the same move precisely over and over again for multiple different takes. and finally, you can design of the move of the camera in your 3d previsualisation software and then import it straight into this and it'll execute it for you. and it says when the red light comes on, get out of the way. beep! gav sets up the robot by plotting some key frames in virtual 3d space. the robot control software can even b...

I'm surrounded by 53 normal cameras and 53 infrared cameras. now, the infrared cameras capture my geometry, and the normal cameras capture what i look like. and once you've got that, the computer can work out what i look like from every conceivable angle, and that means you can decide on your shot and your camera move after the take. and, of course, you can put your performer, well, anywhere you want. and then you can go to bullet time! nice moves, spen, nice moves. now, currently this kind of stuff still takes a lot of processing to render, a lot of time to manually tidy up, and a lot of spac...

Means you can decide on your shot and your camera move after the take. and, of course, you can put your performer, well, anywhere you want. and then you can go to bullet time. nice moves, spen, nice moves. now, currently this kind of stuff still takes a lot of processing to render, a lot of time to manually tidy up, and a lot of space to store the data — it's ten gigabytes of footage per second. but, as always, this technology is only heading in one direction. so volumetric video is evolving fast, and the stage you're in today, we have two other stages — we have a mobile truck, which is on...

To life on stage as part of the catwalk experience. we're seeing the adoption in film and tv, where movies are using it for crowd scene generation, which has advantages over traditional cg roots, or indeed for the creation of holograms who might represent, you know, a superhero, as part of the next marvel film, for example. i'm surrounded by 53 normal cameras and 53 infrared cameras. now, the infrared cameras capture my geometry, and the normal cameras capture what i look like. and once you've got that, the computer can work out what i look like from every conceivable angle, and that means you...