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Checked it fully. this is extremely ly unusual. >> it's very unusual, you know what? i'm sorry, we shoot millions, literally millions of rounds, blank rounds in hollywood and we've been doing it for over 100 years. it's a very safe process. we're used to it. we block it out carefully and everyone knows when the gun has a blank because we call it out, hot gun, which you heard cold gun. we call out a hot gun on demand. the last thing before the camera rolls and we get the scene and the armorer is the last one to clear the gun when they call cut. everything is safe as possible. something like thi...

Depends on what set you're working on and what relationship you have but at least two sources of verification the weapon is cold and at that point in time, the armorer would hold onto the weapon until it's time for the scene to be shot. at that time you open it, load it with the charges, be it either a live -- when i say live, i mean a blank round or if it's not going to discharge, a dummy round and at that point in time, right before the camera rolls, sound, you walk over there and hand off the weapon to the actor and then call hot weapon onset, which is repeated on the radio. >> but they sai...

Least on set, which is usually always the actors. anyone that's -- this weapon's being pointed in the general direction of of and then the first ad, the director sometimes, key grip, dp, depends what set you are working on and what relationship you have but at least two sources of verification. the weapon's cold. and then, at that point in time, the armorer would hold onto the weapon until it's time for the scene to be shot. at that time, you would open it, you would load it with the charges, be it either a live -- when i say a live, i mean a blank round. or if it's not going to discharge, a d...

Move. >> there was a connection that i needed to get him out of there from that point on. there's no going back. you don't back down after you see something like that. >> with smoke pouring from the front of the vehicle, it's a race against time to get the rider out before the car erupts. chris garth and his colleagues watch helplessly from their perch high above. their reactions recorded as the camera rolls. >> is someone under the vehicle? >> the biker's under. >> oh, my gosh. >> there's no time to wait for police or firefighters. >> the guy next to me said we need to lift this car. >> to re...

>> mark is manning his camera midway down the track. >> i always want to make sure i get a shot of ron, because he is the fastest thing on two wheels. i heard over the radio that ron was taking off from the start line. i immediately grabbed my camera, and aimed. almost immediately he went into the high-speed wobble. >> mark's seen that wobble before. he knows what's coming. as the camera rolls, he hits the loose dirt on the track. instantly ron flies through the air as the bike smashes to pieces in a cloud of dust. >> rider down, rider down. everybody move. >> he crashed at probably 200 miles ...