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Through kandahar and helmand. he toured through villages and deserts. sometimes, hejust let the camera run. people chatter. horses gallop. foster's family kept the films in a trunk at home, and they kept a reel of tape, noting his impressions as plain as the day he recorded them. their calm and optimism surprises our 21st—century heirs.
Half a century ago, an american, glenn r foster, from california arrived in southern afghanistan. he stayed on for seven years, a keen photographer in black and white and marvellous colour. glenn took his 16mm film camera through kandahar and helmand. he toured through villages and deserts. sometimes, hejust let the camera run. people chatter. horses gallop. foster's family kept the films in a trunk at home, and they kept a reel of tape, noting his impressions as plain as the day he recorde them. as the day he recorded them. their calm and optimism surprises our 21st—century heirs.
Glenn took his 16mm film camera through kandahar and helmand. he toured through villages and deserts. sometimes, hejust let the camera run. people chatter. foster's family kept the films in a trunk at home, and they kept a reel of tape, noting his impressions as plain as the day he recorde them. as the day he recorded them. their calm and optimism surprises our 21st—century heirs. a way to learn about country is to learn about people. it usually turns out people receive the wrong impressions as they rush about. afghanistan
They tell a special chapter of our story that's almost forgotten. half a century ago, an american, glenn r foster, from california arrived in southern afghanistan. he stayed on for seven years, a keen photographer in black and white and marvellous colour. glenn took his 16mm film camera through kandahar and helmand. he toured through villages and deserts. sometimes, hejust let the camera run. people chatter horses gallop foster's family kept the films in a trunk at home, and they kept a reel of tape, noting his impressions as plain
He stayed on for seven years, a keen photographer in black and white and marvellous colour. glenn took his 16mm film camera through kandahar and helmand. he toured through villages and deserts. sometimes, hejust let the camera run. chatter. galloping. foster's family kept the films in a trunk at home, and they kept a reel of tape, noting his impressions as plain as the day he recorde them. their calm and optimism surprises our 21st—century heirs.