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Control and as much as money becomes a coin of the realm, the spirit of the 1970s, the idea that the filmmaker could still be the one this charge will continue to sustain itself through the work that they do. >> royal tenenbaum bought the house on archer avenue in the winter of his 35th year. ♪ >> it was meticulously composed, beautifully designed and curated down to the last detail and tends to take place in a world that's almost a bubble. that's sort of silo'd off from the outside world. >> let me ask you why would the review make a point of saying someone's not a genius? you think i'm esp...

>> the camera just manages to effortlessly flow to just where it needs to be. it's one of those scenes that leaves you saying how the hell did he do that? it's the storytelling that comes first, and the camera work that comes second, but they complement each other so beautifully. >> what cauron does in the "revenant" and they understand film should be an experiential medium. that you can feel like you're in some kind of horrible survival story in the midst of very rugged wilderness. >> he pulls on your heart strings, pulls your heart out and kicks you while you're down. you're gutted. you are ...

Unlikable, having a crisis of c c conscience. and the big thing that made it all work was the casting of robert downey jr. >> what's going on here? >> i think without him, we wouldn't be talking about that movie. >> let's face it, this is not the worst thing you've caught me doing. >> anybody who was a robert downey jr. fan, of which i had been from the very beginning, it was a no-brainer. you know, jon favreau is an exciting filmmaker. ironman was an exciting character. everything lined up. they got it right. >> oh, yeah! whew! >> our collaboration along with everybody who worked on "ironman"...

And shape of water is like clearly his creature from the black lagoon. ♪ >> guillermo del toro is appreciative of the old school movie making. he never lost the 12-year-old geeky fan boy within himself and i think that's why audiences can relate to his work so much. >> what you're seeing is the directors using established genres to do something that's actually very idiosyncratic and that you can make an intimate movie which is also a spectacle movie. alphonso caron is great doing that. he can make a movie on one hand like "gravity" which is spectacular that has to be seen on the big screen b...

There were really fires on the hill. the camera would movie overhead. for us as actors, it was exciting. >> the camera just manages to effortlessly flow to just where it needs to be. it's one of those scenes that leaves you saying how the hell is did he do that. he's the storytelling that comes first and the camera work comes second but they complement each other so beautifully. >> what cauron does in the "revenant" is they understand film should be an experiential medium. that you can feel like you're in some kind of horrible survival story in the midst of very rugged wilderness. >> he pulls ...