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A Prophet movie review & film summary (2010)


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There is a murder at the center of Jacques Audiard's "A Prophet" that is unlike most murders I've seen in films. It's clumsy, messy and brutal, and leaves the killer shaking. Whether he shakes with grief, relief or anger we cannot say. That's the key to this film. We look, we see, but we cannot say. It often must be that way when we witness violence. Those capable of murdering live in another country.
The movie, one of this year's foreign film Oscar nominees, follows the life of Malik, a young Frenchman of Arab descent, who enters prison as a naive outsider and is shaped into an evil, adult criminal. He wasn't born evil; he was born a shy, passive loser. Prison made him all that he can be. He seems an unlikely protagonist for a prison movie. Played by Tahar Rahim, he's skinny, insecure, trying to raise a mustache. He's behind bars for unclear reasons; he claims he's innocent, although it doesn't matter. Prison efficiently strips him of privacy and self-respect and serves him over to the Corsican gang that controls everything behind bars through violence and bribes.

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