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What to watch this Asian American and Pacific Islander Heritage Month

Selections in film and streaming, as well as people, whose contributions have risen to the forefront for continued change.

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Shooting His Shot

That vaccinated feeling.
BOOGIE. Eddie Huang remains always on his hustle. The child of a sometimes troubled but ultimately fruitful marriage of immigrant entrepreneurs (Chinese by way of Taiwan), he grew up in the restaurant business, went on to a successful academic career, became a lawyer, lost that gig, started a clothing line, allegedly sold weed, opened a well-regarded restaurant (now permanently closed) and a less well-regarded one (also closed), wrote a memoir that became a successful TV sitcom (
Fresh Off the Boat), distanced himself from the series for creative differences and has now written and directed a loosely autobiographical movie. I'm told he also maintains a formidable social media presence, among other ventures. So busy!

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With basketball drama "Boogie," Eddie Huang is finally "free of the shadow" of "Fresh Off the Boat"

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I remember running to the corner store for candy or for wings and fries or some milk or TP or Krazy Glue or basically anything we were lacking in the house. And at times, Mr. Kim, the Korean man who owned the store, and I would laugh and trade high-fives after the Orioles won, or we'd argue if he wouldn't let me go for 10 cents – often leading to me saying "F**k you!" and him kicking me out and telling me, "Never return!" which we both knew was a joke because that was the neighborhood store – located in a neighborhood with poor public transportation and no other options. I'm thankful for the times I shared with Mr. Kim, good and bad – but upset that even though he was a part of our community, we were never really a part of his.

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'Boogie' Movie Review | The Young Folks

Eddie Huang’s feature film debut, 'Boogie,' can't live up to its own promise.

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New Movies to Watch This Week: Disney's 'Raya,' Amy Poehler's 'Moxie' and Eddie Murphy's Return

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New Movies to Watch This Week: Disney's 'Raya,' Amy Poehler's 'Moxie' and Eddie Murphy's Return
Peter Debruge, provided by
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It’s a very different landscape this week than it was a year ago, just before the pandemic forced cinemas to close around the country. Still, with New York cinemas cautiously reopening this week and many other markets determined to bring moviegoing back, the studios and indie distributors alike are bringing many of their long-delayed releases onto screens, albeit in an entirely new way.
For contrasting examples, look at how two of the majors are handling what were intended to be family film tentpoles: Paramount decided to bypass theaters entirely with “The SpongeBob Movie: Sponge on the Run,” using the title to launch its new subscription service, Paramount Plus (audiences can also rent it, at a price of $19.99, for a limited time via PVOD platforms). Disney tested a similar approach with “Mulan” late last summer, and now unveils its latest animated princess movie, “Raya and the Last Dragon” — though that label disguises the many ways in which this one advances the formula — both in theaters and via Disney Plus (where it can be rented for a premium surcharge).

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Director Eddie Huang on rooting 'Boogie' in the 'American dream'

Eddie Huang knows how to cook up a coming-of-age tale.

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'Boogie' Review: An Uneven Chinese American Basketball Drama

'Boogie' Review: An Uneven Chinese American Basketball Drama
'Boogie' Review: An Uneven Chinese American Basketball Drama
A Chinese-American basketball phenom juggles pro dreams, romance and parental expectations in Eddie Huang's uneven directorial debut.
Nick Schager, provided by
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Director: Eddie Huang
With: Taylor Takahashi, Taylour Paige, Bashar “Pop Smoke” Jackson, Perry Yung, Pamelyn Chee, Mike Moh, Domenick Lombardozzi, Eddie Huang.
Running time: Running time: 89 MIN.
Variety
For subtlety’s sake, it’s better if coming-of-age stories don’t feature subplots in which characters are asked to pen their own autobiographical tales of maturation, and then spend time debating the merits of J.D. Salinger’s “The Catcher in the Rye” as well as their personal similarities to its protagonist, Holden Caulfield. That “Boogie” does this is emblematic of its frequent clunkiness. Nonetheless, Eddie Huang’s directorial debut about a Chinese American basketball player trying to balance athletics, romance and parental expectations — elements that should give it a leg up on the competition when it debuts in theaters on March 5.

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'Boogie' Review: There's No Laughing in Basketball

Hoop dreams intertwine with Chinese-American identity in this coming-of-age drama from Eddie Huang.

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Boogie Review - This Basketball Drama Can't Jump

Boogie Review - This Basketball Drama Can't Jump
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'Boogie' Is an Air Ball Directed by Eddie Huang

'Boogie' Is an Air Ball Directed by Eddie Huang
exclaim.ca - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from exclaim.ca Daily Mail and Mail on Sunday newspapers.

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