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“Insidious: The Red Door” is a tepid conclusion to the horror franchise, made worse by its hideous, swampy visual aesthetic. A major disappointment.

Blumhouse ProductionsThe less popular and more dim-witted sibling to his The Conjuring franchise, James Wan’s Insidious series balances hoary clichés with unintentionally hilarious nonsense about astral projection, an alternate realm known as the Further, and creaky creatures that resemble second-hand haunted house spooks—or, in the case of the original film, Star Wars: Episode I—The Phantom Menace’s fire-faced Darth Maul. It’s the dregs of mainstream horror, silly and scare-free save for an occ

Patrick Wilson stars in and directs the fifth film in the horror franchise from James Wan and Jason Blum.

What happens after the horror movie ends? Once the heroes have killed the monster and lived to fight another day, what is life like? What does that kind of fear and trauma do to a person or a family? Those are the questions at the center of Insidious: The Red Door, the fifth film in the Insidious franchise and first since 2013's Chapter 2 to feature the stars of the original played by Patrick Wilson, Rose Byrne, and Ty Simpkins. It’s a film that has a good heart and the best intentions, but lack

"Insidious: The Red Door" brings back the Lambert family for one last fright. Directed by and co-starring Patrick Wilson, Rose Byrne, and Ty Simpkins, with an appearance by Lin Shaye. Review.