Live Breaking News & Updates on Cinema dolce

Stay informed with the latest breaking news from Cinema dolce on our comprehensive webpage. Get up-to-the-minute updates on local events, politics, business, entertainment, and more. Our dedicated team of journalists delivers timely and reliable news, ensuring you're always in the know. Discover firsthand accounts, expert analysis, and exclusive interviews, all in one convenient destination. Don't miss a beat — visit our webpage for real-time breaking news in Cinema dolce and stay connected to the pulse of your community

Maryam Touzani, Nabil Ayouch on the story behind 'The Blue Caftan' - Israel Culture

The Blue Caftan is a beautifully photographed film that tells the story of a complex triangle.

Casablanca , Grand-casablanca , Morocco , Israel , Israeli , Moroccan , Eran-kolirin , Youssef-ayoub-missioui , Ali-zaoua , Mina-lubna-azabal , Nabil-ayouch , Saleh-bakri

Wellington City Council ends negotiations to reopen Reading Cinemas in Courtenay Place

Wellington City Council has ended negotiations with Reading International over a controversial deal to reopen the closed cinema complex on Courtenay Place....

Wellington , New-zealand-general- , New-zealand , Wellington-city-council , Reading-international , Tory-whanau , City , Council , Ends , Negotiations , To

Wellington City Council Reading Cinema deal cancelled, what happens to the building now?

ANALYSIS A controversial $32 million deal to reopen Wellington’s Reading Cinema is dead . City councillors who say the deal “just didn’t stand up to...

Wellington , New-zealand-general- , New-zealand , Ben-mcnulty , Iona-pannett , Richard-maclean , Diane-calvert , Laurie-foon , Mark-mitchell , Linda-clark , Nicola-young , Rebecca-matthews

Commercial Bank in 'exclusive partnership' with Novo Cinemas to elevate cinema experience for credit cardholders

Commercial Bank in 'exclusive partnership' with Novo Cinemas to elevate cinema experience for credit cardholders

Qatar , Sudheer-nair , Roger-abi-haidar , Shahnawaz-rashid , Bank-cardholders , Commercial-bank , Novo-cinemas , Buy-one-get- , Retail-banking , Gulf-times , Commercial-bank-cardholders , Novo-cinema

Click

into the software. it's not just about the tech, um, it is about the filmmaking craft, and we're using it as a tool to kind of extend what we could do. the system is trained by our intelligence as filmmakers, not some artificial intelligence. a film like this gives us an opportunity to think about what cinema actually is, and where new technology fits into the process of how we make movies. for me, i enjoyed the version of the film i saw. it had all the hallmarks of a good music documentary, although the story did seem to meander a bit from time to time. but for the man the film is about, he's happy with that ambiguity. eno spoke to the audience at sundance from his home in the uk over the theatre's speakers. hustwit and his crew seem

Film-s-bespoke-generative-software , Filmmakers , System , Um , Tool , Artificial-intelligence , Intelligence , Tech , Filmmaking-craft , Film , Music , Version

Click

to wildly different versions of what is supposedly the same film. gary says the audience reaction to the project, which premiered at this year's sundance film festival, was different every night. the mood shifted based on the choices the algorithm made. like, the first time that the film screened here at sundance, i felt it was, like, very energetic, and there were lots of laughs. but then the second time, it was more introspective and more personal. um, itjust depends on the scenes that end up getting chosen that night. and you can see those choices happening as you're watching the film. there's text that displays on screen showing the algorithm at work. these sorts of moments can make it easy to chalk this whole thing up to technology, a magic algorithm that somehow creates cinema out of thin air. but the algorithm only succeeds in creating moments of serendipity because of the work of human filmmakers who have worked filming, editing and mixing the material before feeding it

Film , Versions , Gary-hustwit , Audience , Reaction , Project , Sundance-film-festival , Choices , Algorithm , Time , Laughs , Mood

7 foreign films you need to watch at least once

There are so many foreign films that should be experienced by people at least once in their lives, and audiences should start with these seven masterpieces.

Hollywood , California , United-states , Greece , Berlin , Germany , South-korea , Japan , France , South-korean , Greek , Japanese

Click

of extend what we could do. the system is trained by our intelligence as film—makers, not some artificial intelligence. a film like this gives us an opportunity to think about what cinema actually is, and where new technology fits into the process of how we make movies. for me, i enjoyed the version of the film i saw. it had all the hallmarks of a good music documentary, although the story did seem to meander a bit from time to time. but for the man the film is about, he's happy with that ambiguity. eno spoke to the audience at sundance from his home in the uk over the theatre's speakers. hustwit and his crew seem to be betting on this idea. in march, he and brendan launched anamorph, a generative film company that will aim to create more films like this one.

Film , System , Film-makers , Process , Cinema , Intelligence , Artificial-intelligence , Technology-fits , Opportunity , Man , Music , Version

Click

reaction to the project, which premiered at this year's sundance film festival, was different every night. the mood shifted based on the choices the algorithm made. like, the first time that the film screened here at sundance, i felt it was, like, very energetic, and there were lots of laughs. but then the second time, it was more introspective and more personal. um, itjust depends on the scenes that end up getting chosen that night. and you can see those choices happening as you're watching the film. there's text that displays on screen showing the algorithm at work. these sorts of moments can make it easy to chalk this whole thing up to technology, a magic algorithm that somehow creates cinema out of thin air. but the algorithm only succeeds in creating moments of serendipity because of the work of human film—makers who have worked filming, editing and mixing the material before feeding it into the software. it's notjust about the tech, um, it is about the film—making craft, and we're using it as a tool to kind

Film , Reaction , Choices , Algorithm , Time , Project , Mood , Sundance-film-festival , Scenes , Um , Lots , Laughs

Click

succeeds in creating moments of serendipity because of the work of human filmmakers who have worked filming, editing and mixing the material before feeding it into the software. it's not just about the tech, um, it is about the filmmaking craft, and we're using it as a tool to kind of extend what we could do. the system is trained by our intelligence as filmmakers, not some artificial intelligence. a film like this gives us an opportunity to think about what cinema actually is, and where new technology fits into the process of how we make movies. for me, i enjoyed the version of the film i saw. it had all the hallmarks of a good music documentary, although the story did seem to meander a bit from time to time. but for the man the film is about, he's happy with that ambiguity. eno spoke to the audience at sundance from his home in the uk over the theatre's speakers.

Film-s-bespoke-generative-software , Work , Human-filmmakers , Um , Filming , Material , Editing , Tech , Serendipity , Filmmaking-craft , Film , Filmmakers