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Abbot told him this alarm was designed to keep visitors from getting too close to the rembrandt. >> that, even if you look at prints of it now, images of it now, you will see a vision, an etching, of rembrandt himself. art experts, art specialists, common folk would know that and they would come up and point their finger close to, point out the image of rembrandt. and if they got too close, then the alarm would sound. >> the thieves then smashed the alarm. >> that was a compelling detail to me. it seemed like that worked. you know, if you got too close, the sound would go off. and as i went th...

Getting too close to the rembrandt. >> that, even if you look at prints of it now, images of it now, you will see a vision, an etching, of rembrandt himself. art experts, art specialists, common folk would know that and they would come up and point their finger close to, point out the image of rembrandt. and if they got too close, then the alarm would sound. >> the thieves then smashed the alarm. >> that was a compelling detail to me. it seemed like that worked. you know, if you got too close, the sound would go off. and as i went through the rest of the security that was in place at the museu...

So that's how we know that it was 24 minutes. so it's about 1:48 and they're walking down this hallway together, and they enter the dutch room. >> which is right there. >> exactly. and from the dutch room, they took six pieces. >> reporter: including the rembrandts. >> the three rembrandts, the verify near, the flank and the chinese vessel. >> reporter: the real work had begun for the thieves. but as they get ready to remove rembrandt's storm on the sea of gal aly, his only sea escape, a high-pitched alarm sounds. pulitzer prize winning reporter steven kirkgin has investigated this case for th...

Galaly, his only sea escape, a high-pitched alarm sounds. pulitzer prize winning reporter steven kirkgin has investigated this case for the boston globe for decades. he says this alarm was designed to keep visitors from getting too close to the rembrandt. >> that seascape, even if you look at prints of it now, images of it now, you will see a vision, an ex-ing of rembrandt himself. art experts, art specialists, common folk, knew that. and they would come up and they would put their finger close to, point out the image of rembrandt. and if they got too close, then the alarm would sound. >> repo...

Rembrandt's "storm on the sea of galilee," his only seascape, a high-pitched alarm sounds. pulitzer prize-winning reporter steven kirkjian has investigated this case for the boston globe for decades. he says this alarm was designed to keep visitors from getting too close to the rembrandt. >> that seascape, even if you look at prints of it now, images of it now, you will see a vision, an etching of rembrandt himself. art experts, art specialists, common folk, knew that. and they would come up and they would put their finger close to, point out the image of rembrandt. and if they got too close, ...