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'Master of None,' 'Solos,' and TV's Anxiety About Intimacy

The Atlantic
Two new shows, Amazon’s
Solos and Netflix’s
A few unspoken subjects hang over the third season of Netflix’s
Master of None, as inescapable as air. One is the sidelining of Aziz Ansari’s character, Dev, for reasons that I can only assume relate to Ansari’s desire to be less conspicuous in recent years. Another is the fact that the series, set in New York City and the vague hinterland of “upstate,” was filmed in the U.K., a feint that provoked a sense of inauthenticity I couldn’t shake. The most crucial invisible element, though, is the reality of the past year. Denise (Lena Waithe) and her wife, Alicia (Naomi Ackie), live on a blissfully coronavirus-free plane, and yet the pandemic inflects everything: the characters’ isolation, their feelings of entrapment, the tedious repetition of their routines, the prominence of health-care workers. This third season is presented as a spin-off and subtitled

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How 'Master of None' got its groundbreaking portrait of in vitro fertilization right

In the third season of Netflix's comedy "Master of None," Alicia (played by Naomi Ackie), dejected, struggles to stay awake after weeks of intensive fertility treatment. Her head gently rolling back, she waits for her laundry to finish during a brief respite from the grueling physical, emotional and financial process of becoming pregnant.
The soundtrack to the scene? A Don Omar song from "Fast Five."
It's one of co-creator, co-writer and director Aziz Ansari's favorite parts of the season because, like the series as a whole, it's an honest look at the realities, and absurdities, of modern life.
"Topics that are in that zone â everyone's dealing with it, but no one's talking about it â are what I tend to gravitate toward," Ansari wrote in an email to the Los Angeles Times.

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How 'Master of None' Season 3 got in vitro fertilization right

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In the third season of Netflix’s comedy “Master of None,” Alicia (played by Naomi Ackie), dejected, struggles to stay awake after weeks of intensive fertility treatment. Her head gently rolling back, she waits for her laundry to finish during a brief respite from the grueling physical, emotional and financial process of becoming pregnant.
The soundtrack to the scene? A Don Omar song from “Fast Five.”
It’s one of co-creator, co-writer and director Aziz Ansari’s favorite parts of the season because, like the series as a whole, it’s an honest look at the realities, and absurdities, of modern life.

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When 'Master of None' Season 3 Isn't Unbearably Slow, It Belongs to Naomi Ackie: TV Review

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When 'Master of None' Season 3 Isn't Unbearably Slow, It Belongs to Naomi Ackie: TV Review
Caroline Framke, provided by
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COURTESY OF NETFLIX
Four years after the last episode of “Master of None,” a new season will premiere and feel nothing like the show that preceded it.
When Aziz Ansari and Alan Yang’s series first debuted in 2015, it was one of Netflix’s early critical successes and an early indication of how storytelling on the streaming platform could be distinctive from broadcast and cable offerings. “Master of None” told the overarching story of Dev (Ansari), a B-list actor with expensive taste falling in love throughout New York City, with several self-contained narratives that were immediate standouts. Its second episode weaves in poignant flashbacks of Dev’s father (played by Ansari’s own) and the father (Clem Cheung) of his friend Brian (Kelvin Yu) about their immigration to the United States. The season later explored the humiliation of stereotypes in “Indians on TV,” and then told the sloping middle of a love story through a series of mornings in the aptly titled “Mornings.” Season 2 went to Italy, where Dev nursed a broken heart and met another woman who would eventually break it again.

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Review: Master Of None Presents: Moments In Love is viscerally immersive

Review: Master Of None Presents: Moments In Love is viscerally immersive
avclub.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from avclub.com Daily Mail and Mail on Sunday newspapers.

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