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Or even look at the bodies next to me of the dancers who are not black and say, do we look that different? i mean, i was told i was too muscular, i was too short, my breasts are too big. and to me, that's all code for your skin is too dark. your skin is too brown. but it is possible. this is an art form and it's subjective. and we're bec. .. you know, it's a creative environment where, you know, it's not about... to me, it's not about what the package is, it's how you make people feel. it's the interpretation. it's how you deliver the performance, the character. and that can be done in a varie...

For your skin is too dark. your skin is too brown. but it is possible. this is an art form and it's subjective. and we're bec. .. you know, it's a creative environment where, you know, it's not about... to me, it's not about what the package is, it's how you make people feel. it's the interpretation. it's how you deliver the performance, the character. and that can be done in a variety of bodies, people, wherever they come from. i mean, the characters themselves aren't real. you know, that's a big part of it, too. i mean, of course, there needs to be an evolution i think of a lot of the storie...

And we're bec. .. you know, it's a creative environment where, you know, it's not about... to me, it's not about what the package is, it's how you make people feel. it's the interpretation. it's how you deliver the performance, the character. and that can be done in a variety of bodies, people, wherever they come from. i mean, the characters themselves aren't real. you know, that's a big part of it, too. i mean, of course, there needs to be an evolution i think of a lot of the stories that we're telling in ballet that were created centuries ago that no longer reflect society. they don't reflec...