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Exciting! Anil Sharma all set to bring Gadar 3; Sunny Deol to reprise his role as Tara Singh

Now, there is some exciting news for the fans of Gadar. Filmmaker Anil Sharma is all set to bring Gadar 3 to his fans and Sunny Deol is all set to reprise his role as Tara Singh. Zee Studios has finally green-lit Gadar 3. | Tellychakkar.com

Mumbai , Maharashtra , India , Nana-patekar , Anil-sharma , Ankur-bhatia , Ameesha-patel , Tara-singh , Sunny-deol , Read-ankur-bhatia , Filmmaker-anil-sharma

Really! Taali Actor Ankur Bhatia breaks silence on losing out a meaty role in Sunny Deol's Gadar 2, "when the film finally went on floor I had…"

The recently released OTT series Taali has been loved by viewers and actor Ankur Bhatia who was seen in the Sushmita Sen starrer revealed that he was going to star in Gadar 2. | Tellychakkar.com

Mumbai , Maharashtra , India , Gaurav-chopra , Sushmita-sen , Rohit-choudhary , Ameesha-patel , Luv-sinha , Anil-sharma , Mir-sarwar , Simrat-kaur , Ankur-bhatia

Must read! Will Sunny Deol charge more than Shah Rukh Khan and Salman Khan with Gadar 2's success?

Sunny Deol, who has become the first 60-plus actor to enter the 400 crore club in Bollywood with his massive success of Gadar 2, has reportedly hiked his acting fees. | Tellychakkar.com

Mumbai , Maharashtra , India , Maa-tujhe-salmaan , Salman-khan , Kamaalr-khan , Shah-rukh-khan , Sunny-deol , Twitter , Drama-films , Keep-your-adrenaline , Rk

Drama Films Market to Witness Stunning Growth | Constantin Film, Miramax, Lions Gate

Drama Films Market to Witness Stunning Growth | Constantin Film, Miramax, Lions Gate

Australia , Taiwan , United-states , Hong-kong , Miramax , Tolima , Colombia , Brazil , China , Mexico , India , Egypt

Drama Films Market to Witness Stunning Growth | Constantin Film, Miramax, Lions Gate

Drama Films Market to Witness Stunning Growth | Constantin Film, Miramax, Lions Gate

Australia , Taiwan , United-states , Hong-kong , Miramax , Tolima , Colombia , Brazil , China , Mexico , India , Egypt

Dram Filmleri Pazar Büyüklü?ü 2021 Dünya Çap?nda Sektör Pay?, Brüt Kar Marj?, F?rsat Analizi, Yükselen Talepler, Ara?t?rma Raporu Industry Research Biz – Haber Radikal

Dram Filmleri Pazar Büyüklü?ü 2021 Dünya Çap?nda Sektör Pay?, Brüt Kar Marj?, F?rsat Analizi, Yükselen Talepler, Ara?t?rma Raporu Industry Research Biz – Haber Radikal
haberradikal.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from haberradikal.com Daily Mail and Mail on Sunday newspapers.

China , Russia , Russian , Chinese , Company-profile , Drama-films-market , World-diameter , Sector-share , Gross-profit-margin , Rising-demands , News-radical

Josie & Jack review – shockingly lifeless incest drama


Last modified on Tue 16 Mar 2021 07.01 EDT
“Your dad kept you locked up in an old house,” a character drunkenly blurts out in this adaptation of Kelly Braffet’s gothic novel about childhood misery and brother-and-sister incest. “It’s soooo Flowers in the Attic.” If only! The most shocking thing about this movie is how stale and lifeless it is, as if entire scenes had been placed into a vacuum storage bag, zipped up, and sucked of all energy and human feeling.
Set in the 1990s, it begins in rural Pennsylvania where 16-year-old Josie (Olivia DeJonge) and her older brother Jack (Alex Neustaedter) have been raised in a spooky old house by their physics professor father (William Fichtner). He’s a violent pompous drunk who homeschools the kids rather than sending them to “the idiot factory” local high school. In a few flatly acted scenes, he rants grandiosely about his university colleagues and hurls crockery at his children.

New-york , United-states , Pennsylvania , Upper-west-side , Sarah-lancaster , Jack-alex-neustaedter , Josie-olivia-dejonge , Annabelle-dexter-jones , William-fichtner , Kelly-braffet , Olivia-dejonge

While We Are Here review – enigmatic study of romance is hard to love


But intriguing though its premise is, I couldn’t really make friends with this film. Two characters meet in New York and fall in love, but we never see them (though we maybe glimpse them). We do however hear their voices on the soundtrack, musing and commenting. One is Wilson (Marcela Souza e Silva), a Brazilian migrant worker who is in fact about to return to Brazil due to worrying news from home; the other is Lamis (Mary Ghattas), a Lebanese single mum. What we see is the city around them: ambient streetscapes.
But it is not true to say that we see what the characters see, because, in this sense, they never see each other or catch sight of themselves in any mirror. We hear their voices, and also that of a central narrator (Grace Passô), but these voices are strangely unanimated. The actors simply read aloud what are evidently Wilson and Lamis’s thoughts, or possibly journal entries, or emails to each other, which are musing and ruminative. The line-readings are weirdly detached and toneless, and there is a disconcerting absence of passion, or even recognisable emotion in these maundering speeches.

New-york , United-states , Berlin , Germany , Lebanon , Brazil , Lebanese , Brazilian , Clarissa-campolina , Lamis-mary-ghattas , Belo-horizonte ,

Justine review – tender queer romance with social angst


Last modified on Wed 3 Mar 2021 06.00 EST
Remember all-consuming crushes and awkward first dates? For young people in this age of self-isolation, such tender encounters might well be from another century. Chronicling a young lesbian romance set in a wintry Brighton, Justine is the remedy to the lack of such human contact. But it’s not all coffee dates and beach cuddles: this film is also a window on the harrowing cycle of addiction among displaced young adults.
Justine (Tallulah Haddon), on probation and cut off from her family, is in a state of disarray. Awakened by loud bangs from the door – her landlord is asking for this month’s rent – Justine staggers dazedly, and fully clothed, out of the bath. Her lips bear a nasty cut, and her left arm is covered in swathes of white bandages. This dire scene opens to a more hopeful past, only three months earlier, when Justine first locks eyes with Rachel (Sophie Reid), a teacher-to-be, in a bookstore. Harsh financial realities immediately undercut the sweetness of this meet-cute. Rachel gasps as Justine slyly pockets a copy of Ovid’s Heroides.

Brighton , Brighton-and-hove , United-kingdom , Ovid-heroides , Justine-tallulah-haddon , Rachel-sophie-reid , Tallulah-haddon , Sophie-reid , Film , Drama-films , Lgbt-rights

Ted K review – queasy inner life of the monkish, unhappy Unabomber


Last modified on Mon 1 Mar 2021 15.31 EST
Tony Stone’s Ted K is an eerily plausible and unsettlingly mesmeric realisation of the inner world of Ted Kaczynski: that is, the private life of the “Unabomber”, America’s most notorious domestic terrorist who, working largely from his primitive cabin in the Montana wilderness, killed three people and injured 22 more in a mail-bombing campaign lasting from 1978 to 1995, ostensibly in pursuit of an eco-fundamentalist crusade against all modern technology.
Staggeringly, his campaign induced the Washington Post in 1995 to publish his rambling manifesto in return for a promised cessation of bombing. Something which had seemed like a catastrophic capitulation to terror turned out to be a smart move against it, when Kaczynski’s estranged brother recognised his writing and alerted the authorities. As ever with true-crime movies like this, good or bad, there is a strange, transgressive and slightly nauseous undertow to the viewing experience, knowing that the real protagonist is still alive, behind bars, the shadowy original author of everything on screen, but certainly not invited to participate in any promotional Zoom Q&A — though perhaps one day permitted to see the film himself.

Montana , United-states , South-africa , Berlin , Germany , Washington , South-african , America , Lee-harvey-oswald , Joseph-conrad , Christie-malry , Don-delillo-libra