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The 100 Best Movies Over 3 Hours Long, Ranked

The 100 Best Movies Over 3 Hours Long, Ranked
rottentomatoes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rottentomatoes.com Daily Mail and Mail on Sunday newspapers.

Gansu , China , India , Mikuni , Fukui , Japan , United-states , Russia , Portugal , Spain , Israel , Czech-republic

Wild Search

Wild Search
film-news.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from film-news.co.uk Daily Mail and Mail on Sunday newspapers.

China , Hong-kong , United-kingdom , Leong-kong-lau , Nam-kwong-leung-wong , Cher-cherie-chung , Paul-chun , Lee-feng-ku , Peter-weir , Roy-chung , Lau-chow-yun-fat , Chan-cheuk-yan

Mike Figgis Directing Josie Ho's 'Mother Tongue' in Hong Kong


Mike Figgis Directing Josie Ho's 'Mother Tongue' in Hong Kong
Vivienne Chow, provided by
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“Mother Tongue,” a suspense thriller directed by two-time Academy Award nominee Mike Figgis (“Leaving Las Vegas,” “Internal Affairs”) starts shooting in Hong Kong this week. It stars and is produced by actor-singer-producer Josie Ho (“Contagion,” “Lucky Day”).
Figgis and Ho will hold a start-of production ceremony Wednesday at Hong Kong’s Shaw Studios. Production is expected to last until April with the completed film having set a tentative release schedule in January 2022.
More from Variety
Ho plays two characters. The first is an award-winning actress who is involved in a relationship with a younger woman played by Minami (“Battle Royale”) while in search of her long lost daughter, behind her partner’s back. She also plays the actress’s bitter sister.

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'Yi Yi' is a Gorgeous Meditation on the Mundanity of Unhappiness | Arts


Nothing seems to happen in some films. In others, everything occurs at once. Taiwanese auteur Edward Yang’s mesmerizing drama “Yi Yi” (2000) deftly bridges this dichotomy, detailing the monotony of adulthood while also illuminating the complex emotional upheavals that strain even the closest of familial bonds.
Situated in Taipei, Yang’s film follows the lives of the intergenerational, working-class Jian family through the perspectives of three individuals: a disillusioned engineer and father NJ (Wu Nien-jen), his reserved adolescent daughter Ting-Ting (Kelly Lee), and his uncannily perceptive eight-year-old son Yang-Yang (Jonathan Chang), who uses his camera as a means of making sense of the world. By braiding together these three narratives, Yang communicates the unique challenges of each stage of life while emphasizing shared themes of change, loss, and longing.

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