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Held review – claustrophobic thriller is Squid Games does marriage counselling

Gender relations are under the microscope in this thriller in which a couple are locked in a house and ordered about by an anonymous voice

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An Intruder Threatens Sleeping Couple in Our Exclusive Clip from Home Invasion Horror HELD

An Intruder Threatens Sleeping Couple in Our Exclusive Clip from Home Invasion Horror HELD
dreadcentral.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dreadcentral.com Daily Mail and Mail on Sunday newspapers.

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What's new on VOD and streaming this weekend: April 9 to 11 | Georgia Straight Vancouver's News & Entertainment Weekly

Ever since
The Invisible Man, the upper-class wife whose luxury real estate becomes an overbearing metaphor for her isolating marriage seems to have become a go-to set-up for indie filmmakers. Last year we had
Swallow and
The Nest, and this year that plot gets a straight-up genre treatment in
Held. The perennially pained-looking Emma (Jill Awbrey, who also wrote the script) is clearly over her square-jawed husband Henry (Bart Johnson), but they’re giving it one more try by escaping to a secluded, automated smart house vacation rental. Naturally, the property’s version of Alexa has other plans—drugging them and forcing them into chivalrous machinations straight out of a 1950s marriage manual. Held doesn’t hold back, skimping on character development, rushing into the concept and mainly using the first act to set things up to pay off later. Basic druggy montages, a visually uninteresting set and an even more uninspired baddie sap

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What's new on VOD and streaming this weekend: April 9-11

What’s new on VOD and streaming this weekend: April 9-11
Including Nomadland, Sugar Daddy, The Nevers, Held and Exterminate All The Brutes
By Kevin Ritchie and Norman Wilner
Apr 9, 2021
N
OW critics pick what’s new to streaming and VOD for the weekend of April 9. Plus: Everything new to VOD and streaming platforms.
Sugar Daddy
(Wendy Morgan)
NOW named Kelly McCormack one of Canada’s rising screen stars in 2019. Watch Sugar Daddy and you’ll see why: Morgan’s slightly stylized, emotionally charged drama stars the Letterkenny and Killjoys scene-stealer – most recently seen as an unwelcome guest in Ginny & Georgia – as a struggling musician who joins an agency that provides “paid dinner companions” to older men who don’t want emotional attachments, or anything further. Naturally, the reality of it turns out to be a little more complicated. McCormack wrote and produced the film, and does her own singing, but Sugar Daddy’s not just a showcase for her eccentric, electric screen presence; Colm Feore gives one of the best performances of his career as one of her clients – he was just nominated for a Canadian Screen Award for it, one of three nods for the film – and the supporting cast features a host of Toronto faces, from Jess Salgueiro, Amanda Brugel, Ishan Davé and Kaniehtiio Horn to McCormack’s Killjoys pals Aaron Ashmore and Rob Stewart.

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Horror Hits The Spot – Planet S

While #metoo has been going strong since 2017, it’s only recently that the movement has crystallized into a true cinematic form. Superhero flicks such as
Birds of Prey and
Wonder Woman 1984 are now targeting toxic masculinity, and voices we seldom heard before (the teen unable to get a legal abortion, the office assistant forced to cover for her a-hole boss) are anchoring heavy dramas. Heck, there’s even a proper Best Picture nominee —
Promising Young Woman — with a good shot at taking home the golden statuette at the Oscars.
The reckoning is reaching every genre and budget tier, including indie horror, a subcategory better known for being more exploitative than woke.

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Review: New thriller Held is a #MeToo film that relies on twists instead of tact

Review: New thriller Held is a #MeToo film that relies on twists instead of tact
theglobeandmail.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theglobeandmail.com Daily Mail and Mail on Sunday newspapers.

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'Held' Review | Hollywood Reporter

4/9/2021
Couples therapy takes a sadistic twist in the new thriller by Chris Lofing and Travis Cluff, directors of 'The Gallows.'
A married couple endure a particularly horrific form of relationship therapy in the new thriller directed by Chris Lofing and Travis Cluff, the team responsible for the surprise low-budget horror hit
The Gallows. Cannily exploiting #MeToo themes and the opportunities for cinematic mayhem provided by technology-driven smart homes,
Held proves an uncommonly thoughtful and provocative suspenser.
The story begins with Emma (Jill Awbrey, who also wrote the screenplay) being transported to a luxuriously modernistic, gated rental house by a chatty ride-hailing driver (Rez Kempton). After enjoying the home's pleasures, including a swimming pool, in solitary fashion, she's soon joined by her husband Henry (Bart Johnson, here working in far different territory from his recurring role in Disney's

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Horror-thriller Held gets a poster, trailer and images

Horror-thriller Held gets a poster, trailer and images
flickeringmyth.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from flickeringmyth.com Daily Mail and Mail on Sunday newspapers.

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Trailer: Home-Invasion and Techno-Horror Tropes Collide in HELD Arriving April 9th

Trailer: Home-Invasion and Techno-Horror Tropes Collide in HELD Arriving April 9th
Check out the trailer for the techno-horror HELD from the directors of THE GALLOWS!
By
Josh Millican
Look for the tense techno-horror
Held in theaters and VOD beginning April 9th via Magnet Releasing. Give the trailer a spin and read more about the movie below.
Synopsis:
In
Held, Emma (Jill Awbrey) and Henry’s (Bart Johnson) marriage is losing its spark. In an effort to reconnect, they vacation to a remote high-end rental, complete with automated smart house features and integrated security. However, after suspecting a nighttime intruder they decide to flee, only to become forcibly trapped inside by the automated security system. Emitting from the house, an unknown ‘Voice’ watches their every move through an array of hidden cameras, revealing an intimate and unsettling knowledge of their relationship. While the situation grows increasingly brutal, Emma and Henry must work together to uncover the truth and find a way out before it’s too late.

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