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The second "Let's Talk Screenwriting!" roundtable examines the role of writers' rooms in Danish, German and Dutch television production

The second "Let's Talk Screenwriting!" roundtable examines the role of writers' rooms in Danish, German and Dutch television production
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Germany , Denmark , Netherlands , Utrecht , Siegen , Nordrhein-westfalen , Bahnhof , German , Dutch , Danish , Michael-leendertse , Winchester-mcfly

The second "Let's Talk Screenwriting!" roundtable examines the role of writers' rooms in Danish, German and Dutch television production


The second “Let’s Talk Screenwriting!” roundtable examines the role of writers’ rooms in Danish, German and Dutch television production
A slide from Florian Krauß's presentation
The second “Let’s Talk Screenwriting!” roundtable, entitled “Showrunners and writers’ rooms in European television production” was held online on 12 April. The event, organised by the Media Industries, Infrastructures and Institutions (MI3) research group from Utrecht University, was chaired by
Hanna Surma, assistant professor of Media Studies at the same university.
Following Surma’s opening remarks, the floor was given to
Eva Novrup Redvall (University of Copenhagen). In her case study on Danish writers’ rooms, Redvall explained that the country’s audiovisual landscape has been characterised by a strong public service broadcasting culture, with a user base of around 5.7 million viewers. According to the figures provided by DR Media Research, in 2019 the largest market shares were controlled by DR (35.5%) and TV2 (40.4%). However, the country has also recorded a sharp increase in SVOD consumption and one of the most recent launched services, Disney+, reached 20% of Danish households in just three months. The surge of writers’ rooms set up by Danish pubcasters started in the 2010s and some of the best examples of this trend are the series

Germany , Denmark , Netherlands , Utrecht , Siegen , Nordrhein-westfalen , Bahnhof , German , Dutch , Danish , Michael-leendertse , Winchester-mcfly

The second "Let's Talk Screenwriting!" roundtable examines the role of writers' rooms in Danish, German and Dutch television production - Industry Report: Series


A slide from Florian Krauß's presentation
The second “Let’s Talk Screenwriting!” roundtable, entitled “Showrunners and writers’ rooms in European television production” was held online on 12 April. The event, organised by the Media Industries, Infrastructures and Institutions (MI3) research group from Utrecht University, was chaired by
Hanna Surma, assistant professor of Media Studies at the same university.
Following Surma’s opening remarks, the floor was given to
Eva Novrup Redvall (University of Copenhagen). In her case study on Danish writers’ rooms, Redvall explained that the country’s audiovisual landscape has been characterised by a strong public service broadcasting culture, with a user base of around 5.7 million viewers. According to the figures provided by DR Media Research, in 2019 the largest market shares were controlled by DR (35.5%) and TV2 (40.4%). However, the country has also recorded a sharp increase in SVOD consumption and one of the most recent launched services, Disney+, reached 20% of Danish households in just three months. The surge of writers’ rooms set up by Danish pubcasters started in the 2010s and some of the best examples of this trend are the series

Germany , Denmark , Netherlands , Utrecht , Siegen , Nordrhein-westfalen , Bahnhof , German , Dutch , Danish , Michael-leendertse , Winchester-mcfly