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You know, itjust — once you're working on a set, everything becomesjust... i don't know. it's just... i guess because you know each other so well, you know what they want, they know what you like... exactly, yeah. ..and you've sort of gelled together. yeah. and you read one of their scripts and it's like immediately apparent where they're going. all their scripts are very different. they're very different genres and they play with different themes. but you read that — you read their script and straight off, you can visualise it. you know, it's interesting, yeah. let me drill a little bit, ...

I'm really glad to meet you, cos it is the first time i've met you, but you always operate." he said, "yeah." "well, are you not going to operate?" he said, "no, i'm going to operate." i said, "well, i operate, so it's not going to work, is it?" and he said, "no, i guess not." but it was kind of nice chatting, you know. so it wasn't about intrusion, it was about the method of working, and just, sometimes, sometimes that's your comfort zone, i suppose, and you don't want to go out of it, or, i say it's that sort of personal relationship with a camera. i find what the camera does, the position a...

There was less and less discussion because as we got to know each other — and funnily, sometimes it's the quietest set i've ever been on. you know, itjust — once you're working on a set, everything becomesjust... i don't know. it's just... i guess because you know each other so well, you know what they want. they know what you like. exactly, yeah. and you've sort of gelled together. yeah. and you read one of their scripts and it's like immediately apparent where they're going. all their scripts are very different. they're very different genres and they play with different themes. but you r...

Yeah, it is and it isn't — i mean, maybe i've been lucky. i mean, most of the people i've worked with in films i've worked on, it's not really been like that. and, often, where — often where an actor has a reputation, when they've come to actually the set and the director that i've been working with, they've acted in a different way. i tell you, one of the first films i did and one of probably my favourite films is 1984, the george orwell, and it wasjohn hurt and richard burton, it was richard burton's last film. and that was the moment not only i realised with richard burton, but i realis...

And the relationship of the camera to the actors in the frame. it's how do you compose a human face? how do you... you know, often, an actor or actress are on a set, doing a big emotional scene, and the first person they look at is the camera operator, after the director's shouted "cut", orsomething, and i love that, just, again, you know, which i experienced with, again, as i said, with richard burton and john hurt in 1984 and it was just a wonderful thing to be that person. having watched a lot of your films that completely makes sense because i think it's true to say you love working on fil...