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On SV Narayanaswamy Rao and the Sree Ramaseva Mandali's tryst with melody

On SV Narayanaswamy Rao and the Sree Ramaseva Mandali's tryst with melody
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Karnataka , India , Carnatic , Andhra-pradesh , Chennai , Tamil-nadu , Mali , Delhi , United-kingdom , Bengaluru , British , Rameshwara-temple

The JA Jayanth Interview: 'My eternal quest is to find point where human voice, sound of my instrument become one'


Although rooted in Carnatic traditions, Jayanth has a unique sound that often traverses generic barriers, thanks to his early exposure to Hindustani and other forms of music and cross-cultural collaborations. Even when he is playing the most Carnatic-sounding ragas such as Bhairavi and Kamboji, the sound of his flute appears universal and cosmopolitan. It’s both pastoral and urban; and is peaceful, meditative and nuanced.
Among the younger generation, he is probably one of the most well-spoken and cosmopolitan artistes. His music has cross-generic influences, he performs across the world, does collaborative work and even have an un-Carnatic sartorial style.

Carnatic , Andhra-pradesh , India , Japan , Mumbai , Maharashtra , United-states , Mali , Kolkata , West-bengal , Kerala , Chennai