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French Exit

French Exit
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Your Weekly Roundup of New Movies: Oscar Nominee "Do Not Split" Presents Gripping Reportage of Hong Kong's Past Two Years

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Your Weekly Roundup of New Movies: Oscar Nominee “Do Not Split” Presents Gripping Reportage of Hong Kong’s Past Two Years What to see and skip while heading out to the theaters or streaming at home.
Movies_Do-Not-Split (Shorts TV)
Updated April 20 at 9:00 PM
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Do Not Split
*** Frontline crisis journalism has long been a staple of the Oscars’ Best Documentary (Short Subject) category. Unmercifully, the world never quits offering new topics. While Portlander Skye Fitzgerald’s

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Your Weekly Roundup of New Movies: "Nina Wu" Is a Darkly Surrealist Character Study Based on True Events

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Your Weekly Roundup of New Movies: “Nina Wu” Is a Darkly Surrealist Character Study Based on True Events What to see and skip that's streaming or in theaters.
(Film Movment)
*** Nina Wu is a struggling actress living in Taipei. When her agent nabs her an audition for a plum role in a '70s espionage thriller, she hesitates after learning it requires full-frontal nudity, though ultimately goes through with it. She earns the part, but discovers that the on-set environment is dangerous and brutal—the director is abusive in his quest to elicit Nina's best performance, and the (mostly male) crew members do nothing to intervene. As Nina begins to unravel, repressed memories leak through the cracks, and she questions how she actually got the role in the first place. The answer is horrific, almost as horrific as the fact that Nina Wu is inspired by true events. Written by and starring Wu Ke-Xi in the titular role, this darkly surrealist character study takes inspiration from Satoshi Kon's 1997 anime masterpiece

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Elevation Pictures Lives Up To Its Name – Planet S

French Exit, was released in February. Briefly an Oscar hopeful,
French Exit is based on Patrick deWitt’s most recent novel (deWitt himself wrote the script). The drama follows Frances (Michelle Pfeiffer), a Manhattan socialite quickly burning through her inheritance. Unwilling to adapt to a more practical lifestyle, Frances takes her son (Lucas Hedges), her cat and all the cash she can muster and moves to Paris. The plan, as far as she has one, is to abruptly “depart” the moment the money runs out.
French Exit was produced by Noah Segal, who’s also Elevation’s co-president. I had the opportunity to speak with him about the status of the Canadian film industry following a uniquely challenging year. Some answers have been edited for length.

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Your Weekly Roundup of New Movies: "Opera" is the Pinnacle of 2020's Oscar-Nominated Animated Shorts

Your Weekly Roundup of New Movies: "Opera" is the Pinnacle of 2020's Oscar-Nominated Animated Shorts
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'French Exit' Resembles a Trans-Atlantic 'Arrested Development''

'French Exit' Resembles a Trans-Atlantic 'Arrested Development''
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New Movies to Watch This Week: 'Barb and Star,' 'Judas and the Black Messiah,' 'Minari' and 'The Mauritanian'

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New Movies to Watch This Week: 'Barb and Star,' 'Judas and the Black Messiah,' 'Minari' and 'The Mauritanian'
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With the Super Bowl behind us and the Oscars looming (and a pandemic-dampened Valentine’s Day as a marketing peg), American distributors are releasing their most robust slate of new releases in months this weekend.
Awards contenders “Judas and the Black Messiah” (about the FBI-sanctioned murder of Fred Hampton) and “Land” (starring and directed by Robin Wright) arrive in theaters, hot off their premieres at this year’s virtual Sundance Film Festival. Also on the awards-worthy indie front, A24 releases last year’s Sundance winner “Minari” on demand. Steven Yuen stars in this immigrant story with universal appeal. And if theaters are open (and safe) near you, consider catching Michelle Pfeiffer in the wickedly funny “French Exit.”

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Indie Focus: Activism and betrayal in 'Judas and the Black Messiah'

Your regular field guide to the world of movies in your living room and beyond.

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Lucas Hedges Talks 'French Exit,' First Kisses, and Being "True"

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The
French Exit star talks the flaw of celebrity, his "life-changing" experience in quarantine, and his first kiss.
Feb 11, 2021 @ 8:00 am
Lucas Hedges greets me with the exaggerated "heeeyyyy" of an old friend — maybe the friend you made in your Catholic school's theater department, or the friend you fell in love with after your brother went to prison, or the grieving friend with the Boston accent.
Like said old friend, the second my video clicks on he begins interrogating me about a random artifact in the background of my Zoom display. Hedges is all about connections — off-screen, at least.
His latest role (in

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Movie Review - French Exit (2021)

Directed by Azazel Jacobs.
Starring Michelle Pfeiffer, Lucas Hedges, Tracy Letts, Valerie Mahaffey, Susan Coyne, Imogen Poots, Danielle Macdonald, Isaach De Bankolé, Daniel DiTomasso, Eddie Holland, Matt Holland, Christine Lan, Robert Higden, and Larry Day.
SYNOPSIS:
An aging Manhattan socialite living on what’s barely left of her inheritance moves to a small apartment in Paris with her son and cat.
It doesn’t take long before the reasons pile up in regards to loathing the characters of
French Exit, but here’s the most telling: audiences are supposed to empathize with the wealthy 12-years widowed Frances (Michelle Pfeiffer, who at least plays the role of privileged and condescending with intermittently amusing bite) has spent years ignoring her financial advisor that the money left behind is going to dry up. There’s going broke for legitimately unfortunate circumstances and then there’s introducing a protagonist who not only went broke because of their own dumbassery (I don’t care if that’s not actually a word) but is going to be financially stable anyway moving into an upper-class apartment in Paris of all places. Let me break out the world’s tiniest violin because some rich people are being upended from Manhattan call me to France…

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