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Review: Anthony Hopkins Plays a Patriarch in Decline in The Father

Now, Zeller has brought
The Father to the screen in an adaptation he directed and co-wrote with Christopher Hampton, starring Anthony Hopkins and Olivia Colman. It's one thing for Zeller to attempt this kind of narrative game-playing onstage, where arguably his only peer in that regard is Harold Pinter. By bringing his vision to the cinematic medium, however, he is now competing with the likes of legendary French filmmaker Alain Resnais and, more recently, Christopher Nolan when it comes to exploring the outer limits of perception and reality through temporal instability and scrambled chronologies. One look at, say, Resnais's still-challenging landmark 1959 romance

New-york , United-states , Manhattan , France , Hiroshima , Japan , French , Florian-zeller , Ben-smithard , Olivia-colman , Imogen-poots , Christopher-hampton

The Father review: Anthony Hopkins stars in a dementia movie unlike any other.

Anthony (Anthony Hopkins), a retired engineer in his early 80s, lives in a spacious and elegant London apartment—alone, which, as his daughter Anne (the ever-transfixing-to-watch Olivia Colman) tries gently to tell him on one of her daily visits, is starting to be a problem. Anthony is still energetic and physically healthy, but his memory is beginning to fail, and he has fired his last few caregivers over perceived infractions that are probably just figments of his imagination. “I don’t need anyone,” he snaps at Anne, in the stiff-upper-lip denial of interdependence that will become one of his last remaining character traits as he slips into dementia.

Paris , France-general , France , London , City-of , United-kingdom , French , Christopher-hampton , Anthony-hopkins , Michael-haneke-amour , Carole-bouquet , Florian-zeller