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Because we were still on the heels of that morning show cancellation, even though we did win emmys for that. when we went to the late night show, we were given certain restrictions. >> you can't have a monologue. monologue is johnny's. they said we couldn't have a horn section. that's johnny's sound. your sound is rock 'n roll. >> and you couldn't have a sidekick like ed mcmahon come sit down with you and schmooze. and i remember thinking, that's it? the world is left after that. >> they kind of forced us into becoming the show for a different generation. >> now, a man shouldn't be up this lat...

>> johnny carson took out tom snyder and he put david letterman in there. >> david letterman had the great luxury of the most powerful man in television being his biggest fan. >> dave letterman is back. you're going to host a late night television program that premieres monday night. what are critics likely to say tuesday morning? >> i don't much care because i found a way to deal with that, pills and whiskey. >> the buildup to that show was just immense. because we were still on the heels of that morning show cancellation, even though we did win emmys for that. when we went to the late night ...

>> the buildup to that show was just immense. i mean, because we were still on the heels of that morning-show cancellation. even though we didn't win emmy's for that, when we went to late night show, we were given certain restrictions. >> you can't have a monologue. monologue is johnny's. they said we kocouldn't have a horn section. that's johnny's sound. your sound is rock and roll. >> you couldn't have a sidekick, like ed mcmann, sit down with you and schmooze. and i kept thinking that's it? >> and they kind of forced us into becoming the show for a different generation. >> a man who shouldn...

California, i think, and we didn't have any money, so they started writing like crazy. and we started doing anything we could to pay the rent. >> we just happened to play the whiskey go go, and jimmy had a camera and took some pictures of the chicago transit at the marquee at the whiskey. and when i go by there, i think of jimmy and i standing there. >> we were opening for bb king or something like that. albert king. walter turned around to walk out, he probably -- he might have told you this story. >> i got a tap on my shoulder, and i turned around, i was putting one of my saxophones away. it...

The fast pace of life in the digital no. shift has the lowdown on the web showing new developments and providing useful information the with useful items and interviews with makers and users. shifts next on w. . so this is the view from my seat in the horn section. sarah with us knows her stuff. think this is going to be the most. vicious and conductors. and she shows just how diverse classical music can be. sarah's music contemporary classical. g.w. . bridge