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The Sony Pictures Classics short film received rave reviews at this year's Cannes Film Festival

Or less sort of looked at, indeed, the different transitions that a human being might have across their life, was the human voice, single, alone, and i guess i understood that both worked. and that the tonal range in gielgud's voice in itself was a sort of self—contained mini orchestra. so i began to understand a bit more about poetry and what a performer could do with it, but i also was very thrilled by what, if you want to put it crudely, what you could do with the boring bits, if you used an orchestra and sound effects and all the rest of it! so they were wake—up calls to me for what th...

And i said, "well, yes, ok — what was it you need me to do?" and he said, "come down to the stadium and i'll show you". i went into the stadium for the first time and it seemed like all of england was rehearsing. it was absolutely packed with people doing pirouettes and jumping and dance routines, and danny wove his way through it. like the pied piper, he seemed to know everybody�*s name. and then he leads me up to one end of the stadium, and to a high mound and says, "let's have a go at this piece — it's caliban from the tempest. the isle is full of noises." he said, "i want this, the s...

And i said, "well, yes, 0k, what was it you need me to do?" and he said, "come down to the stadium and i'll show you". i went into the stadium for the first time and it seemed like all of england was rehearsing. it was absolutely packed with people doing pirouettes and jumping and dance routines, and danny wove his way through it — like the pied piper, he seemed to know everybody�*s name. and then he leads me up to one end of the stadium, and to a high mound and says, "let's have a go at this piece — it's caliban from the tempest. the isle is full of noises." he said, "i want this, the s...

Sort of looked at, indeed, the different transitions that a human being might have across their life, was the human voice, single, alone, and i guess i understood that both worked. and that the tonal range in gielgud's voice in itself was a sort of self—contained mini orchestra. so i began to understand a bit more about poetry and what a performer could do with it, but i also was very thrilled by what, if you want to put it crudely, what you could do with the boring bits, if you used an orchestra and sound effects and all the rest of it! so they were wake—up calls to me for what the human ...