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To somebody waiting 11 hours outside the doors _ to somebody waiting 11 hours outside the doors of a&e in an ambulance, but it— the doors of a&e in an ambulance, but it is— the doors of a&e in an ambulance, but it is too— the doors of a&e in an ambulance, but it is too much.— but it is too much. very eloquent, clearly something _ but it is too much. very eloquent, clearly something close _ but it is too much. very eloquent, clearly something close to - but it is too much. very eloquent, clearly something close to your i clearly something close to your heart. thank you. we will leave th...

Easyjet had another really bad day yesterday, at the start of the weekend they said we will cancel as you mentioned over 200 flights, in the next week or so, 200 flights, in the next week orso, in 200 flights, in the next week or so, in order to avoid on the day cancellations, unfortunately those cancellations still happened anyway, thousands of people affected there. we also have problems a1, the biggest vacation holiday operator in the uk, they had a wide range of flights which didn't take off, and people literally finding out while they sat on the plane, their entire holiday had been cancel...

To do this? how can we expand our theatrical? how can we actually get to a place where the audience has that choice in the biggest and most profound ways? sometimes it's here, sometimes there. and i think if you look at our competitors in the way that disney and warner's and others are doing it, they're doing the exact same thing. so everyone�*s trying to say, "ok, where is the audience for this movie? "i'm going to put it straight into disney+," or, in the cinema." and i think it reallyjust becomes, now, what you believe the best version of that film is for that audience, right, and where y...

Has that choice in the biggest and most profound ways? sometimes it's here, sometimes there. and i think if you look at our competitors in the way that disney and warner's and others are doing it, they're doing the exact same thing. so everyone�*s trying to say, "ok, where is the audience for this movie? "i'm going to put it straight into disney+," or, "i'm going to put it in the cinema." and i think it reallyjust becomes, now, what you believe the best version of that film is for that audience, right, and where you think you can do the best in the business with it, so... anecdotally, i mean...

So while you're trying to do that, you're trying to maintain a healthy business and as you do it, now you're trying to say, ok, where is the best way to do this? how can we expand our theatrical? how can we actually get to a place where the audience has that choice in the biggest and most profound ways? sometimes it's here, sometimes there. and i think if you look at our competitors in the way that disney and warner's and others are doing it, they're doing the exact same thing. so everyone�*s trying to say, "ok, where is the audience for this movie? "i'm going to put it straight into disney+...