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141 Best Albums of the 2010s

141 Best Albums of the 2010s
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Ser Serpas Creates Uncanny Sculptural Landscapes. No Small Wonder That Her Next Dream Project Is a Horror Movie

Emerging star artist Ser Serpas discusses new developments in her practice, and a constant search for beauty in unlikely places.

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The meaning of music during a pandemic: Princeton University Concerts names winners of Creative Reactions Contest

Dasha Koltunyuk, Department of Music/Princeton University Concerts
April 30, 2021 11:29 a.m.
Photo by Joey Scelza, Office of Communications
“What has music meant to you during the COVID-19 pandemic?”
Thirty Princeton University undergraduate and graduate students reflected on this question for Princeton University Concerts’ seventh annual Creative Reactions Contest. Participants were encouraged to use a specific musical work as a point of reference.
Six students were named winners after two rounds of judging the anonymous submissions — the first by Princeton University Concerts staff, and the second by Wendy Heller, the Scheide Professor of Music History and department chair; Wallace Best, the Hughes-Rogers Professor of Religion and African American Studies and director of the Program in Gender and Sexuality Studies; and Dorothea von Moltke, owner of Labyrinth Books.

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We found the greatest: Everywhere at the End of Time

Imagine yourself deep into the future. You have retired from your job and you spend most of your days reminiscing about the past experiences of your childhood. Everything from your first kiss, getting married and having your first kid is still explicit in your mind. Now, imagine yourself seven years later.
Your thoughts reverberate within a thick fog of confusion and horror. Your brain collapses upon itself to the point where you can’t even remember yourself, who you are, your family or your children. You become lost in an endless field of unrecognizable thoughts as dementia drags you down into a pit of emptiness.

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Nathan Salsburg: Landwerk/Landwerk No. 2

BandcampÂ /Â Buy
For nearly a decade, Nathan Salsburg has managed a remarkably compartmentalized career. A dazzling solo guitarist, heâs released a series of largely instrumental acoustic albums that capture bucolic and bittersweet scenes. As sideman and collaborator, he has added restrained elegance to records by Joan Shelley, The Weather Station, and even Shirley Collins. The longtime host of a global folk show on New Yorkâs erstwhile East Village Radio, Salsburg became the curator of the Alan Lomax Archive; as one of the compiling minds behind many of its recent revelatory releases, he assembles box sets and expounds on the virtues of folk music repatriation. The synthesis of all this work is sometimes audible on his albums, but it is not hard to imagine an old-time music enthusiast admiring the Lomax-centric gig without having heard the remarkable

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Fact 2020: Audiovisual

Fact 2020: Audiovisual
Fact 2020: Audiovisual
We’ve collected some of our favourite audiovisual works from a year in which creativity was made more difficult, and more vital, than ever.
This year Fact Magazine broadened its focus, presenting short film, audiovisual work, movement and performance art alongside the electronic and experimental music we have always championed.
More importantly, this year proved to be one of the most challenging faced by artists the world over, with the pressures of a global pandemic, major cuts to arts funding and the sustained struggle of millions of protestors, who continue you to show extreme bravery and strength across the globe, making creativity more difficult, and more vital, than ever.

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