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Make it. but before that, no way. i thought i was done. >> as he was pushing jeff out, jeff's lower body was obscured. and then we saw the "herald" photographer standing next to me was -- he just started, you know, screaming, you know, "oh god." he turned. he turned his head. i looked down to make sure he was okay, and then i kept on shooting. >> i ended up taking him all the way to the ambulance, which i pick him up again and i put him in the bed. and that's the last time i saw jeff. >> to me there's something inherently powerful about the still image. you know, it's a moment frozen in time. ...

People were just throwing them down. running onto the course. i had never seen anything like that. >> the first scene i saw there was all these bodies in the ground and missing limbs, broken limbs, people crying. >> once i got up above, i just saw just people everywhere. that's when i realized how bad it was, that you know, i started seeing people with pretty horrific injuries. i recognized carlos orlando immediately because he's very active locally. you know? i saw the hat. >> i went straight down to the ground to help jeff, but immediately after that i look at his legs. i asked for help.

It was, that you know, i started seeing people with pretty horrific injuries. i recognized carlos arrendondo immediately because he's very active locally. you know? i saw the hat. >> i went straight down to the ground to help jeff, but immediately after that i look at his legs. i asked for help. he had somebody help. >> when he came to help me, he was crazy. his adrenaline was definitely, definitely kicking. >> i pick up jeff from the floor. i pick him up, and i sit him in the chair and i told him to hold on, hold on. and i told the lady, we have to rush. we have to rush. let's move it. let's ...

He had somebody help. >> when he came to help me, he was crazy. his adrenaline was definitely, definitely kicking. >> i pick up jeff from the floor. i pick him up, and i sit him in the chair and i told him to hold on, hold on. and i told the lady, we have to rush. we have to rush. let's move it. let's move it. >> actually, when carlos picked me up and threw me into the wheelchair then i was like, all right, maybe i am going to make it. but before that, no way. i thought i was done. >> as he was pushing jeff out, jeff's lower body was obscured. and then we saw the "herald" photographer standing...

>> i ended up taking him all the way to the ambulance, which i pick him up again and i put him in the bed. and that's the last time i saw jeff. >> to me there's something inherently powerful about the still image. you know, it's a moment frozen in time. it's that memory that you can hold on to. you know? it doesn't just pass. it's right there for you to see for, you know, forever. >> is there a story behind that photo, do you think? >> yeah. i mean, jeff bauman survived. you know? and then he regained consciousness and pointed out the suspect. and it's just that little glimmer of hope that, yo...