Review: Oleanna (Ustinov Studio, Bath)
© Nobby Clark Oblique wordplay, broken sentences, meanings just out of reach. The first act of David Mamet's 1992 two-hander about education and power lulls the watcher into a false sense of security. There's something difficult to grasp about the interrupted, back-and-forth dialogue between John, a professor at a university and his student Carol, but what exactly? It seems to be a case of a benevolent teacher helping to support a struggling student; an awkward, angry and confused young woman being transformed into a budding, confident intellectual. "Surprise is a form of aggression", says J...