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Was acceptable. >> i could have been a contender. i could have been somebody. instead of a bum. >> everybody looked up to brando. he was great. wasn't about technique in a way, it was technique of a sort but it was about just feeling. you felt so much from him. >> i was you, charlie. >> marlon brando is often associated with the method as a style of acting. >> the method essentially is a terribly human, profoundly human thing. it's not -- it was affected by psychoanalysis, the understanding of the soul, so to say. >> brando's brilliant in "on the waterfront," but who isn't brilliant in it? the...

Behind me, maybe there would be any trouble. >> you know they'll be trouble. >> then it's better to have it here. >> cooper is giving this incredible natural performance. this ongoing dilemma that's going on in his mind ends up being the heart beat of the movie. >> some of you were special deputies when we broke this bunc i need you again now. >> the script has this great 1950s theme of your neighbor's abandoning you because might be a communist or because they don't want you to know about their bomb shelter movie. illuminated what was going on. >> carl foreman was a man of such principle that...

Bird and how sam spade plays these characters off each other. >> you're good. you're very good. >> what did he say? >> about what? >> about me. >> nothing. >> what did you talk about then? >> he offered me $5,000 for the black bird. >> my father was not that big a fan of actors. if you watch his movies, he's more interested in character. i think this was why he loved humphrey bogart so much. >> thanks, darling. >> there's a kind of directness and honesty about him that we're not used to. >> when you're slapped, you'll take it and like it. >> bogart is not the good guy, and that is essential to...

Incredible natural performance. this ongoing dilemma that's going on in his mind ends up being the heartbeat of the movie. >> some of you were special deputies when we broke this bunch. i need you again, now. >> the script has this great 1950s theme of your neighbor's abandoning you because you might be a communist or because they don't want you to know about their bomb shelter. the movie illuminated what was going on. >> carl foreman was a man of such principle that when he testified he would not name names. he paid an enormous price. he was forced to uproot and move to england. the great tra...

And that's as good as it gets. >> okay, baby, that's it. >> the murder you don't see in double indemnity is better than any grizzly murder you could show me. >> straight down the line. >> barbara stanwyck's perform, as phyllis is the archetype of the dangerous femme fatale. >> back in the morning. meet me at the hotel. >> when you get to jane greer in "out of the past," she takes it a step further. >> can we get away with it. >> she's much more of a cold psychopath. there's a scene where he's watching robert mitch chum and his partner beat the hell out of each other and she's sort of in ecstas...