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What We Can Learn From Edward Roybal — California's First Latino in Congress and a Pioneer in L.A. Latino Politics

Edward Roybal served his constituents as California's first Latino in Congress for 30 years, yet it was his work as a Los Angeles City Councilman that not only laid the foundation for his national career but also speaks to a number of issues affecting Angelenos today.

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Museum in Greeley to feature 'The Bracero Program' exhibit

The new exhibit details the journey of Mexican migrant workers during and after WWII with "The Bracero Program," the largest guest worker program in U.S. History.

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El gas usado para "desinfectar" a mexicanos en EE.UU que sirvió como ejemplo a la Alemania nazi

El gas usado para "desinfectar" a mexicanos en EE.UU que sirvió como ejemplo a la Alemania nazi
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El gas usado para desinfectar a mexicanos en EE.UU que sirvió como ejemplo a la Alemania nazi

El gas usado para desinfectar a mexicanos en EE.UU que sirvió como ejemplo a la Alemania nazi
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Historia. "Un momento atroz"; imágenes sobre la "desinfección" de mexicanos en EU hace 50 años

Historia. "Un momento atroz"; imágenes sobre la "desinfección" de mexicanos en EU hace 50 años
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El gas usado para "desinfectar" a mexicanos en EE.UU que sirvió como ejemplo a la Alemania nazi

El gas usado para "desinfectar" a mexicanos en EE.UU que sirvió como ejemplo a la Alemania nazi
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El gas usado para "desinfectar" a mexicanos en EE.UU que sirvió como ejemplo a la Alemania nazi

El gas usado para "desinfectar" a mexicanos en EE.UU que sirvió como ejemplo a la Alemania nazi
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Artist José Villalobos shines light on a gay bracero in new Artpace exhibition


Posted
By Bryan Rindfuss
on Fri, Jan 29, 2021 at 8:30 AM
click to enlarge
Bryan Rindfuss
A reimagined barrack for braceros anchors José Villalobos’ new Artpace exhibition “De los Otros.” Protesting “the toxicity of machismo” has become a common thread in the work of José Villalobos, an El Paso native who draws creative inspiration from his experiences as a gay man who grew up in an evangelical Christian family embedded in the norteño culture that pervades the U.S.-Mexico border.
After relocating to San Antonio, Villalobos enrolled in a fine arts program at UTSA and earned his BFA in 2016. The same year he graduated, he was among five local artists invited to participate in the Guadalupe Cultural Arts Center’s Artist Lab, a development program facilitated by the New York-based Surdna Foundation. Titled “De la Misma Piel (Of the Same Skin),” Villalobos’ portion of the resulting show comprised tooled leather belts printed with homophobic slurs in Spanish (“jotito,” “mariposa” and “maricón” among them), ornate belt buckles that together spelled out “joto” and paintings of famed Mexican crooner Vicente Fernandez on scraps of leather. In addition to the defiant reclamation of derogatory terms hurled at homosexuals, “De la Misma Piel” introduced multiple themes that continue to distinguish Villalobos’ work: subversion of masculinity, pointed use of text, interventions on vaquero attire and nods to Fernandez — an icon capable of making even macho men cry.

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