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Will address the situation that i know other people suffer from. >> anthony: okay, this is a film, very influential, far beyond the imaginings -- >> lydia: well, we didn't think that when we did it. we didn't think that when we did it. we didn't give a shit. we just wanted to make a film and get it out there because we had to do something because we were burning, our blood was on fire. ♪ >> anthony: looking back though, was it all that? was it a golden period? are you nostalgic? >> lydia: no. i am golden. it's always a golden period for me. look, we have a golden piece of asparagus, it's gol...

>> anthony: yeah, sure, i'd love to. i'd be interested to look at your dope bags. >> clayton: yeah, here's some. >> anthony: airmail! >> clayton: airmail. >> anthony: 12th street. >> clayton: yup. >> anthony: i might have to put the old glasses on for this. >> clayton: it's a treasure. >> anthony: doa i remember. >> clayton: poison you must remember. >> anthony: poison! yes, of course. evidence. psycho. i remember all of those. >> clayton: classic, right? >> anthony: you knew you were doing something bad when you bought a product called toilet and, you know, shot it in your arm. oh man, memori...

>> jim: i owe a lot to amos. when i saw "the foreigner," it was amazing the whole scene was there, everybody was there. >> amos: yeah, that was a big night. >> jim: i got so charged up. and i was sure i was going to make films. >> anthony: and your first film was a student film? >> jim: nyu film school made a mistake, so i had a $12,000 budget for my first film. >> anthony: which is enormous for the time. >> jim: it was huge, for me. but the root of the word amateur is the love of a form. and professional means you are doing it for money. which i still hope -- i consider myself an amateur, for...

I'm just curious to see when you eat the hard-boiled egg if you're going to say, "this is delicious." >> anthony: as long as it's not like half-term chicken fetus in there. which wouldn't be the first time for me by the way -- i'll be thrilled. i'm not eating this shit. there's a plate. >> anthony: eggs, the perfect food. thank you, sir. >> john: eat that. i don't think i've ever cooked for anybody before. >> anthony: i'm honored, sir. so looking back, is there a danger of over-romanticizing that place and that time? given the downside. and the body count. >> john: i don't know, does it have t...

Like popular culture, magazines, advertising, comics. and so some of the first people to buy paintings from me and jean-michel was chris and debbie from blondie. and then they also commissioned me, lee quinones, and jean-michel to do sets and art, and to participate in their music videos, some of the very first. >> anthony: your support and work with fab five freddy, i mean look at the soundtrack to the whole world, now. it's hip-hop, that connection, that cross over there. you had to put considerable muscle and gravitas. >> chris: i talked to all these record company guys, and i'd say 98% of ...