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'Tortured Poets Department' outfit ideas: Get the look of Taylor Swift's new album

Taylor Swift's "The Tortured Poets Department" style era is shaping up to be preppy and, well, poetic. Here, put together your own "TTPD"-inspired outfits with our shopping picks.

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Taylor Swift faces backlash over lyric about her wanting to live in 'the 1830s' on new 'TTPD' album

Taylor Swift faced backlash over saying she wanted to live in the 1830s "but without all the racists" on her new album, "The Tortured Poets Department: The Anthology."

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James Blachly | From the Maestro's Desk | JSO wants your thoughts about this community's strengths

The Johnstown Symphony Orchestra's concert next week features "The Planets" and "Star Wars," but it begins with Music Director James Blachly's composition – the very same composition that was performed

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Northwest Jazz Festival to celebrate Great American Songbook

The 2024 Northwest Jazz Festival will play host to a special tribute to the Great American Songbook at this year’s event, set for Aug. 23 and 24 in the Village

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'Hard-driving bluegrass': Thunder Ridge to perform in Cashmere

CASHMERE — “Dedicated to the preservation of early style acoustic music,” the Cashmere Community Concerts flier stated, promoting Portland bluegrass band Thunder Ridge for a show this weekend.

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but for his philosophy, his ideas about creativity and how art can be made, particularly with the help of generative technology. a lot of the ways that brian creates music and art are also reflected in the way we created the film, because we're not making a normal documentary where we craft each scene and, you know, time it out. we're creating kind of a structure in software that will create our film. you can think of it like this. up here, we have a pool of pre—cut scenes, hundreds of hours of never before seen archival footage and exclusive interviews with eno. down here, we have an empty structure looking for pieces to fill up the slots. some parts of the film are always the same. pieces here are pinned in place, but for the rest, the software makes selections, slots them into place based on instructions from the filmmakers, and edits together a new film that it will never generate again. it can make approximately 52

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succeeds in creating moments of serendipity because of the work of human filmmakers who have worked filming, editing and mixing the material before feeding it into the software. it's not just about the tech, um, it is about the filmmaking craft, and we're using it as a tool to kind of extend what we could do. the system is trained by our intelligence as filmmakers, not some artificial intelligence. a film like this gives us an opportunity to think about what cinema actually is, and where new technology fits into the process of how we make movies. for me, i enjoyed the version of the film i saw. it had all the hallmarks of a good music documentary, although the story did seem to meander a bit from time to time. but for the man the film is about, he's happy with that ambiguity. eno spoke to the audience at sundance from his home in the uk over the theatre's speakers.

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