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Now on bbc news, britain has one of the highest death toll from covid 19 in the world. This film follows staff at the Royal Hospital in london as they try to cope with a second way. And a warning, this programme contains content which some of may find it distressing. Shes young. Shes someone� s relative. This is something precious that were holding and were trying to do. My wife lost her fight for life. Nobody wants to go through this. I wouldnt wish this on anybody. The coronavirus pandemic has hit the United Kingdom hard. I think the public want to do the right thing, but i dont feel they ...

Now on bbc news, britain has one of the highest death tolls from covid 19 in the world. Clive myrie� s film follows staff at the Royal London Hospital as they try to cope with a second wave. A warning this programme contains content which some viewers may find distressing. Shes young. Shes someone� s relative. This is something precious that were holding and were trying to do. My wife lost her fight for life. Nobody wants to go through this. I wouldnt wish this on anybody. The coronavirus pandemic has hit the United Kingdom hard. I think the public want to do the right thing, but i dont fe...

When advanced technologies bring about radical changes in society, there is always a collision of utopian and dystopian views. The heated debate last year over generative AI is one example. If you want to learn how to have your own point of view, why not turn to artists of our time, to their “anthropologically” attentive exploration of the contemporary conditions of the world? A group of young, free-spiri...

SEOUL (ANN/THE KOREA HERALD) – As society undergoes profound transformations driven by cutting-edge technologies, conflicting visions of utopia and dystopia often emerge. Last year’s fervent discourse on generative AI serves as a noteworthy illustration.  To cultivate a unique perspective, consider turning to the artists of our era—explorers who keenly observe and dissect the contemporary fabric […]

Kayo Chingonyi’s A Blood Condition has a dignity that honours the past without indulging in any overflow of personal feeling. Dignity is an interesting quality in a writer – it cannot be faked without presenting as pomposity. Chingonyi’s authentic, reined-in passions are stirring. His impressive first collection, Kumukanda (2017), showed a poet who already understood that you do not need to be attention-seeking to deserve attention. In this second collection, he takes quietness further. The “blood condition” remains unnamed, although even the most defective of detec...