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Because it combined sci-fi, action, and comedy. >> well, there's something you don't see every day. >> "ghostbusters" was written by dan aykroyd. on paper it shouldn't work. but it does work because you have rick moranis and they're flawless. >> we've been going about this all wrong. this mr. stay puff is okay. he's a sailor. he's in new york. we get this guy laid, we won't have any trouble. >> bill's always explored what it means to escape sort of the constraints of convention. you feel in some way that you want to be as liberated as he is. ♪ ghostbusters >> instead of worshipping musicians...

>> watch it out for the dallas. >> thanks. >> it's when lod plays peter gabriel, trying to radio instincts, they return. >> we had a hard time withal the boom box. there's one hoe trags nood as good, the last shot, of "say anything." >> the light is disappearing, shots moving in on cusack. and i see it. i see it through the camera. the anger, the resentment, never, the sane, the access lens is that. >> how the it going?

Good again, our movies are telling us, no, we're not. no, we are not. >> wendy, i'm home. >> i play this game. all your favorite filmmakers alive or dead were opening a movie on the same day, which movie would you see first? and for me it would be stanley cooper because you're going to see something you never saw before, and he did that in, think about it, every genre. he's going to make a horror movie, it's going to be the horror movie done in a way that you would not expect. >> to me "the shining" isn't about horror, it's about dread. from the very first frame, something grabs your solar ple...

>> i did the bird. >> don't talk back. >> mime is money. come on. move it. >> you had all these brilliant performances by all of them and then rob put it all together and made it sing. >> people didn't know what we were doing. they cut it was a real documentary. when we first previewed it, they said why would you make a movie about a band that nobody ever heard of and one that's so bad? ♪ working on a sex farm ♪ plowing through your field >> let's say you look at a prospective movie and it's a square, rob reiner has a way of turning it sideways, looking at it differently and finding a way ...

It's an ensemble piece, it's got some humor in it and it's got some satire in it, but he's not trying to get a laugh every second. >> it's a wonderful moral conundrum from a very original standpoint. i think that's why it stood up. >> you told me over and over again you'd leave merriam. we made plans. >> we didn't. >> i gave up things for you, business opportunities. >> oh, dreams. >> "crimes and misdemeanors" is two parallel stories, one of which is a very traditional woody allen and mia farrow relationship jokefest, and the other one which is a serious examination of literal life and death t...