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The Sonic Extremes of the MaerzMusik Festival


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On the stage of an empty concert hall, the Austrian-born composer Peter Ablinger sits in a chair and begins to tell the time. “At the third stroke, it will be twenty o’clock precisely,” he says, adhering to the hallowed formula of the BBC’s Speaking Clock. He accompanies himself with a simple C-minor sequence on a keyboard. After continuing in this vein for twenty minutes, Ablinger cedes the floor to the young German actress Salome Manyak, who speaks over an atmospherically bleeping soundtrack by the Finnish experimental musician Olli Aarni. The ritual goes on for nearly twenty-seven hours, with an ever-changing team of artists, curators, composers, singers, and d.j.s announcing the time in German, English, Italian, French, Spanish, Turkish, Arabic, Farsi, Oromo, Mandarin, and twelve other languages. A rotating assortment of prerecorded tracks, usually electronic, provide accompaniment. Most of the reciters maintain a crisp, cool demeanor, ev ....

Berliner Festspiele , Salome Manyak , Olli Aarni , Peter Ablinger , Ivan Ekemark , Ivanka Tramp , Musical Events , Music Festivals , Classical Music , இசை நிகழ்வுகள் , இசை திருவிழாக்கள் , பாரம்பரிய இசை ,