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We see gunda suckling and raising a batch of young piglets, watching them grow, all without the aid of explanatory captions or narration, or emotive music to tell us how to feel. there's nothing anthropomorphic or sentimental about the film which includes footage of gunda standing on one of her brood, oblivious to its squeals. yet it's impossible to watch these creatures without becoming acutely aware of their consciousness, and thus inevitably questioning what we know will happen to them. russian director viktor kossakovsky, who became a vegetarian after befriending a pig as a child that was ...

About farmyard animals focusing on the titular sow. squealing. over the course of the film, we see gunda suckling and raising a batch of young piglets, watching them grow, all without the aid of explanatory captions or narration, or emotive music to tell us how to feel. there's nothing anthropomorphic or sentimental about the film which includes footage of gunda standing on one of her brood, oblivious to its squeals. yet it's impossible to watch these creatures without becoming acutely aware of their consciousness, and thus inevitably questioning what we know will happen to them. russian direc...

Which includes footage of good understanding on one of her brood, oblivious to its squeals. yet it's impossible to watch these creatures without becoming acutely aware of their consciousness, and thus inevitably questioning what we know will happen to them. russian director viktor kossakovsky, who became a vegetarian after befriending a pig as a child that was then served up as pork cutlets, says he wanted to make a film about animals as living, feeling beings in their own right, a task he says was doubly difficult when dealing with farm livestock rather than dolphins, elephants or pandas. yet...

Yet it's impossible to watch these creatures without becoming acutely aware of their consciousness, and thus inevitably questioning what we know will happen to them. russian director viktor kossakovsky, who became a vegetarian after befriending a pig as a child that was then served up as pork cutlets, says he wanted to make a film about animals as living, feeling beings in their own right, a task he says was doubly difficult when dealing with farm livestock rather than dolphins, elephants or pandas. yet gunda, on which joaquin phoenix gets an executive producer credit, makes for remarkably pow...