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Like, a water balloon is the classic subject — it's what everyone does first — but i still find it fascinating that you pop a water balloon, the rubber whips out of there almost immediately, even in slow—mo, and then, you're just left with the shape — you're left with a big glob of water. i think the most important thing for shooting slow—mo, especially when you're getting towards 1000, is you need the right light and you need lots of it. so, for example, under a regular incandescent light bulb orjust like a lamp that you might find at home, chances are you're gonna see the flicker r...

But i still find it fascinating that you pop a water balloon, the rubber whips out of there almost immediately, even in slow—mo, and then, you're just left with the shape — you're left with a big glob of water. i think the most important thing for shooting slow—mo, especially when you're getting towards 1,000, is you need the right light and you need lots of it. so, for example, under a regular incandescent light bulb orjust like a lamp that you might find at home, chances are you're gonna see the flickering of the electrical grid and it looks really unattractive in slow—mo, it's reall...

It's what everyone does first — but i still find it fascinating that you pop a water balloon, the rubber whips out of there almost immediately, even in slow—mo, and then, you're just left with the shape — you're left with a big glob of water. i think the most important thing for shooting slow—mo, especially when you're getting towards 1,000, is you need the right light and you need lots of it. so, for example, under a regular incandescent light bulb orjust like a lamp that you might find at home, chances are you're going to see the flickering of the electrical grid. and it looks really...

But i still find it fascinating that you pop a water balloon, the rubber whips out of there almost immediately, even in slow—mo, and then, you'rejust left with the shape — you're left with a big glob of water. i think the most important thing for shooting slow—mo, especially when you're getting towards 1000, is you need the right light and you need lots of it. so, for example, undera regular incandescent light bulb orjust like a lamp that you might find at home, chances are you're gonna see the flickering of the electrical grid and it looks really unattractive in slow—mo, it's really d...

Immediately, even in slow—mo, and then, you'rejust left with the shape — you're left with a big glob of water. i think the most important thing for shooting slow—mo, especially when you're getting towards 1,000, is you need the right light and you need lots of it. so, for example, undera regular incandescent light bulb orjust like a lamp that you might find at home, chances are you're gonna see the flickering of the electrical grid and it looks really unattractive in slow—mo, it's really distracting to see all the lights doing this. yeah. so, shoot outdoors under the sun — the sun do...