Page 2 - Reflectograph Image News Today : Breaking News, Live Updates & Top Stories | Vimarsana

the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here — to see how our brains react to what we're seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it's time for a way of quantifying that. so we're just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be used as a meditation device, has been repurposed to translate brain activity into a real tim...

from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here — to see how our brains react to what we're seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it's time for a way of quantifying that. so we're just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be used as a meditation device, has been repurposed to translate brain activity into a real time 3d visualisation. and this has four eeg senso...

The veils, but digitally. a range of photography and scanning techniques were used to read underneath the layers of paint. images from the most significant scans were then collated in modus explorer, a tool created specifically for the project. we did 32 different reflectographs that went deeper and deeper into the structure of the painting. since we were studying what lies beneath the veils, we were interested in seeing if any of the cracks actually follow the original paint of artemisia and we found this crack here goes along the edge of her right arm. what we're seeing in, outlined in white...

That no—one is willing to take. the challenge was to unveil the work, not physically removing the veils, but digitally. a range of photography and scanning techniques were used to read underneath the layers of paint. images from the most significant scans were then collated in modus explorer, a tool created specifically for the project. we did 32 different reflectographs that went deeper and deeper into the structure of the painting. since we were studying what lies beneath the veils, we were interested in seeing if any of the cracks actually follow the original paint of artemisia and we fou...

The artist always intended it to be seen. to remove these layers could pose a risk to the original that no—one is willing to take. the challenge was to unveil the work, not physically removing the veils, but digitally. a range of photography and scanning techniques were used to read underneath the layers of paint. images from the most significant scans were then collated in modus explorer, a tool created specifically for the project. we did 32 different reflectographs that went deeper and deeper into the structure of the painting. since we were studying what lies beneath the veils, we were i...