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Then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. >> kyle then sends these layers to visual effects artist zane rudlick to do his magic. >> it's three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at the end. but in between, we're seaming that together with the cheated handheld simulated in the computer. >> to create that shot, zane uses a process called roto scoping. >> it's painstaking tracing frame by frame rachel throughout her roll off ...

I set up the camera, lined it up right, watched traffic go by for a few minutes. >> first he needs a shot of himself lying in the middle of an empty street. but in the process, his special effect nearly becomes a reality. >> i run out there, lay on the floor, and i hear a car coming. i'm like, oh, my god, please. i got up and ran out of the way. the driver is like what's going on? >> he finally gets the shot. >> all right, i got it. cut, print, let's move on. >> daniel takes the footage and he begins the tedious process of roto scoping. >> you cut out the bus, the shadows, you do it frame by f...

The end. but in between, we're seaming that together with the cheated handheld simulated in the computer. >> to create that shot, zane uses a process called roto scoping. >> thts painstaking tracing frame by frame rachel throughout her roll off the car hood. and by isolating her in that way, we're able to drop her onto the other shot. >> but the devil is in the details. after viewing the effect, zane and kyle decide cindy's moves on top of the car aren't realistic enough. >> bouncing off of the hood, we didn't quite have the right movement on this arm. so we had to isolate her arm from another...

Effect takes hours to create. >> to do a digital effect you shoot basically several layers. from the top of the stairs i shot the road empty, the car pass, cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. >> kyle then sends these layers to visual effects artist zane rudlidge to do his magic. >> it's three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at the end. but in between, we'...

Editor daniel saldovar who creates the video on a summer break in high school. >> that particular sunny summer day i was bored. i wanted to do something that day. >> he has a visual effects program on his computer and wants to test it out. his idea is to shoot multiple shots and layer them on top of each other to create the illusion of being run over by a bus. >> i went out to the front yard, set up my tripod. i set up the camera, lined it up right, watched traffic go by for a few minutes. >> first he needs a shot of himself lying in the middle of an empty street. but in the process, his speci...