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Crisis movie review a diffuse drama about the opioid epidemic Assignment X

February 26, 2021
CRISIS is a well-intentioned and-well shot – on 35mm, no less – thriller about the opioid epidemic. Director/writer Nicholas Jarecki has a lot on his mind here – so much, in fact, that he’s got three distinct plotlines running here. One of these never links up with the other two, which is among the film’s several problems.
A serene, snowy landscape is interrupted by the hectic arrest of a young drug smuggler at the U.S./Canada border south of Montreal.
Then we’re in Detroit, where grumpy high-level drug dealer Jake Kelly (Armie Hammer) turns out to be an even grumpier Federal agent. Jake is trying to bring down both a Fentanyl-selling Detroit-based gang and a Montreal-based supplier by setting up a deal between the two. This requires him going to Montreal and convincing criminal boss Mother (Guy Nadon) that he’s the real thing. In his personal life, Jake is coping with a drug-using younger sister (Lily-Rose Depp).

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