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Bbc drama is studio—bound, let's get out there in the street with the guys that shoot documentaries and make, you know... make it real, in that sort of spontaneous and alive way. but just thinking about some of your films and the way that you have explored social issues, whether that's unemployment in meantime, or back street abortion in vera drake, or class and race in secrets and lies, do you regard yourself as a political film—maker? yes, i do. i mean, i think that my films, with the arguable exception of peterloo, which is obviously about the peterloo massacre and is, without any quest...

By what other artists do — it's as much about making you think about the possibilities of what you might do. but with the french new wave in particular, was it also about the visual style? do you think that had a direct influence on your later work? well, i mean, the great move forward was shooting in the streets, was shooting in real places. now, of course, i — unlike for example my compatriot ken loach — who was a great pioneer, who, again, was a great inspiration to me a little bit later on in the �*60s, with the work that he and tony garnett, who i used to work with in television, ...

On in the �*60s, with the work that he and tony garnett, whom i also used to work with in television, bbc. their great revolution was to say, well, let's not... bbc drama is studio—bound. let's get out there in the street with the guys that shoot documentaries and make, you know... make it real, in that sort of spontaneous and alive way. but just thinking about some of your films and the way that you have explored social issues, whether that's unemployment in meantime, or back street abortion in vera drake, or class and race in secrets and lies, do you regard yourself as a political filmma...

Later on in the �*60s, with the work that he and tony garnett, who i used to work with in television, bbc. their great revolution was to say, well, let's not... bbc drama is studio— bound, let's get out there in the street with the guys that shoot documentaries and make, you know... make it real, in that sort of spontaneous and alive way. but just thinking about some of your films and the way that you have explored social issues, whether that's unemployment in meantime, or back street abortion in vera drake, or class and race in secrets and lies, do you regard yourself as a political filmâ...