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Walls come crashing down when lust is mistaken for love We’re sorry, this service is currently unavailable. Please try again later. Dismiss Save Normal text size ★★★½ Extricating your own presence from what you are trying to express – Shakespeare-style – is fiendishly difficult. Although it may not be critical to making exceptional art, it does help to make it timeless. Joanna Murray-Smith’s Honour has had to survive only 26 years so far, but it hasn’t aged a week in that time. George (Huw Higginson) mistakes lust for love with Claudia (Ayeesha Ash)...

Walls come crashing down when lust is mistaken for love We’re sorry, this service is currently unavailable. Please try again later. Dismiss Normal text size ★★★½ Extricating your own presence from what you are trying to express – Shakespeare-style – is fiendishly difficult. Although it may not be critical to making exceptional art, it does help to make it timeless. Joanna Murray-Smith’s Honour has had to survive only 26 years so far, but it hasn’t aged a week in that time. George (Huw Higginson) mistakes lust for love with Claudia (Ayeesha Ash). Credit:Prudence Upton Of cour...

Summer of the 17th Doll Australia – Australian lighting designer Trudy Dalgleish appreciated the quietness and other features of Robe T1 Profiles and T1 Fresnels that are part of the new house rig at Her Majesty’s Theatre in Adelaide, which reopened in June 2020 after a major two-year redevelopment. The State Opera of South Australia’s production of iconic Australian drama, Summer of the 17th Doll, was the first show to utilise the new facilities in the 1,467-seat main auditorium, which includes the 24 new Robe moving lights, twelve of each type. The Summer of the 17th Doll action is se...