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>> you'll miss me? >> but i won't miss you with this if you don't get back to work. >> the american sitcom had gotten a disruption in the early 1970s with "all in the family," "mary tyler moore." >> you go from lear's we're going to hit race, we're going to hit class, we're going to hit gender to can't we all just get along? ♪ now the world don't move ♪ ♪ to the beat of just one drum ♪ ♪ what might be right for you ♪ ♪ may not be right for some ♪ >> it was a dream. two kids in a ghetto get adopted by a rich white man. >> the white savior narrative in "different strokes" is the ...

With traditional narrative sitcom. >> martin lawrence played many, many characters on that show. from jerome to roscoe. >> what do you want? >> i want you to get a smaller head. but i ain't got no control over that. >> shanay-nay. shah-nay and nay. >> oh, my goodness. if it isn't little miss attitude. >> all the characters just felt really personal to the kind of young black experience. >> why are you always over here? i mean, don't you have a bed? >> fox used that show to build their network. >> fox was florida for black people. that's where we're all going to go now to have a new life. >> yo...